“In Stamboul Train for the first and last time in my life I deliberately set out to write a book to please, one which with luck might be made into a film. The devil looks after his own and I succeeded in both aims.”
for my nieces and nephews.
Eight year old Beth loves her crafts, I think she’ll enjoy her present:
Little Jamie has a real curiosity about the world. He will enjoy his book:
And for Bridgid?
That detail about the meadowlark is from Nathaniel Philbrick, The Last Stand: Custer, Sitting Bull and The Battle of The Little Bighorn. At best the second-best book about the Little Bighorn battle, first of course being:
but that image is amazing. Good on Philbrick.
What is amazing about “Son Of The Morning Star” is Connell doesn’t just tell the story, he follows the meandering lines that lead to it and out of it, and the people who traced them. He demonstrates that as soon as you focus on any particular incident, you can keep finding new dimensions of weirdness in it.
Take, for example, this meadowlark warning Sitting Bull. Philbrick cites that detail as coming from the recollections of One Bull, Sitting Bull’s nephew, found in box 104, folder 21 of the Walter Campbell collection. Walter Campbell was born in Severy, Kansas in 1887. He was the first Rhodes Scholar from the state of Oklahoma. He wrote under the name Stanley Vestal. Why? I don’t know. According to the University of Oklahoma, where his collection is kept, he was adopted by Sitting Bull’s family, and “was named Makes-Room or Make-Room-For-Him (Kiyukanpi) and His Name Is Everywhere (Ocastonka). Kiyukanpi was the name of Joseph White Bull’s father, and Ocastonka is a reference to the Chief’s great fame.”
Here’s a picture from the Walter Campbell collection:
That’s Young Man Afraid Of His Horses. Here’s another:
Regrettably OU won’t let me make that any bigger. Campbell/Vestal/His-Name-Is-Everywhere died of a heart attack on Christmas Day, 1957.
There’s also a Walter CAMP who is very important in Bighorniana. Camp worked for the railroad, and so could travel all over. An unsourced detail from Indiana University’s Camp collection is that this is how he “spent his summers,” finding lost battlefields and interviewing old Indians and soldiers. Here is a picture from Camp’s collection:
As for One Bull, here he is. This is a photograph by William Cross (which I found here):
On wikipedia’s page for One Bull, however, they illustrate him with a picture of his spoon:
This spoon is now in the Spurlock Museum, at the University of Illinois at Urbana-Champaigne, where they also have collections of Japanese wood carvings, Arctic artifacts, and Babylonian clay tablets.
I thought this writing, in the NY Times by Lydia Polgreen, is good, concise, and informative.
The Tuaregs are a nomadic people who live largely in the Sahara, spanning Niger, Mali, Algeria and Libya. For centuries they plied caravan routes across the desert, but colonial borders turned them into citizens of several nations. In the 1960s and 1990s, Tuareg rebellions erupted in the Sahara, seeking autonomy or independence. Violence flared again in 2007 in Niger, where Tuareg rebels seeking to wrest control of the country’s rich uranium deposits mounted a rebellion.
It allowed me to understand how complicated the Tuareg situation must be. More:
Col. Muammar el-Qaddafi, Libya’s former leader, supported Tuareg rebellions in Mali and Niger over several decades, and analysts in the region say the current uprising is closely linked to the fall of Colonel Qaddafi, whose weapons are suspected of playing a major role in the Malian rebels’ success.
But Lydia Polgreen is reporting from Johannesburg, apparently. Is anyone in towns like Tinzaouaten, which wikipedia tells me was “wrested from control” of the government on Feb. 8, I wondered? So I went looking for pictures of Tinzaouaten. I found this person’s flickr stream. I think she is just an amateur, not a journalist? Don’t want to post them here as she reserves her rights. But jeez.
The rebels attacked the town of Niafunké in January. Ali Farka Toure was born in Niafunke and was the mayor there. Here is a video of him:
Photo up top is of “Timbuktu Manuscripts.”
In Shark’s life there had been no literary romance. At nineteen he took Katherine Mullock to three dances because she was available. This started the machine of precedent and he married her because her family and all of the neighbors expected it. Katherine was not pretty, but she had the firm freshness of a new weed, and the bridling vigor of a young mare. After her marriage she lost her vigor and her freshness as a flower does once it has received pollen. Her face sagged, her hips broadened, and she entered into her second destiny, that of work.
In his treatment of her, Shark was neither tender nor cruel. He governed her with the same gentle inflexibility he used on horses. Cruelty would have seemed to him as foolish as indulgence. He never talked to her as to human, never spoke of his hopes or thoughts or failures, of his paper wealth nor of the peach crop. Katherine would have been puzzled and worried if he had. Her life was sufficiently complicated without the added burden of another’s thoughts and problems.
From The Flowering of New England:
One of [Boston publisher James T.] Fields’s jokes was about the Boston man who read Shakespeare late in life but found him far beyond his expectation. “There are not twenty men in Boston who could have written those plays,” he said.
VWB also tells us about John Bartlett, who was just a guy in Cambridge you went to when you needed to know who said something, until he finally went ahead and published his Familiar Quotations.
More excellence from The Flowering of New England
…generations later, when people spoke of Emerson’s “education,” they put the word in quotation-marks – it was not that he did not know his Greek and Latin, but that he was never systematic. He had read, both then and later, for “lustres” mainly. He had drifted first to Florida and then to Europe, and finally settled at Concord…As for the lectures that Emerson was giving in Boston, on great men, history, the present age, the famous lawyer, Jeremiah Mason, when he was asked if he could understand them, replied, “No, but my daughters can.”
To the outer eye, at least, Emerson’s life was an aimless jumble. He had ignored all the obvious chances, rejected the palpable prizes, followed none of the rules of common sense. Was he pursuing some star of his own? No one else could see it. In later years, looking back, Emerson’s friends, remembering him, thought of those quiet brown colts, unrecognized even by the trainers, that outstrip all the others on the race-course. He had had few doubts himself. He had edged along sideways towards everything that was good in his life, but he felt that he was born for victory…
He definitely had bigtime Mike Daisey problems. No way he’d be as famous if he weren’t so photogenic. But still. This is the entire chapter 69 from “In Patagonia”:
The “Englishman” took me to the races. It was the sunniest day of summer. The Strait was a flat, calm blue and we could see the double white crown of Mount Sarmiento. The stands had a coat of fresh white paint and were full of generals and admirals and young officers.
“Day at the races, eh? Nothing like a good race-meeting. Come along with me now. Come along. Must introduce you to the Intendente.”
But the Intendente took no notice. He was busy talking to the owner of Highland Flier and Highland Princess. So we talked to a naval captain who stared out to sea.
“Ever hear the one about the Queen of Spain,” the Englishman asked, trying to liven up the conversation. “Never heard the one about the Queen of Spain? I’ll try and remember it:
A moment of pleasure
Nine months of pain
Three months of leisure
Then at it again.
“You are speaking of the Spanish Royal Family?” The Captain inclined his head.
The “Englishman” said he read history at Oxford.
The Nicholas Shakespeare biography is well-worth a flipthrough. When Chatwin was diagnosed with HIV he claimed, among other things, that he had an extremely rare disease he caught from being bitten by a Chinese bat.
Fitz Hugh Lane: When he was eighteen months old, in his father’s yard, Fitz Hugh Lane grabbed a handful of some kind of weed and put it in his mouth. John J. Babson’s History of the Town of Gloucester (1860) says it was “apple-peru.” It may have been jimsonweed. No matter. Fitzhugh “was so unfortunate as to lose the use of his lower limbs in consequence, owing to late and unskillful medical treatment.” He was paralyzed.
Apprenticed to a printmaker in Boston, he soon became famous for his paintings of ships and sunsets. He decided to go back home. On a peninsula called Duncan’s Point in Gloucester, he designed and built his own home. He didn’t like the name Fitz Hugh and with some difficulty had it changed legally to Fitz Henry. So in catalogs or museum signs he’s sometimes called that. He was well-known and loved in Gloucester.
Fitz Hugh had a very close friend, all his life, Joseph Stevens, who was from an old Gloucester family. The story’s told that one day, when they were boys, Joseph Stevens rigged up a special contraption of ropes and pulleys to lift Fitz Hugh high up in the masts and rigging of a ship, so he could look out at the harbor.* Fitz Hugh died in Joseph Stevens’ house, with Joseph Stevens at his bedside.
- from Crawley’s Lives of The Heroes Of Boston (1958), which I cannot recommend highly enough. Get yourself the reissued 1998 paperback for like a dollar on Amazon.
Once in winter I drove up to Gloucester to the Cape Ann Museum (got the top picture from their website) to view the Fitz Hugh Lanes.** On the streets of Gloucester with the wind I was as cold as I can ever remember being.
Fitz Hugh Lanes: good name for a Gloucester bowling alley.
*Crawley notes here that he is citing John Wilmerding‘s book Fitz Hugh Lane. Crawley always acknowledges, often at tedious length, that he has done no scholarship of his own and relies on the work of others.
** Much like the Scottish guy Indiana Jones pretends to be in “Last Crusade” drives up to the castle “to view the tapestries.”
A quotation by [mountaineer W. H. Murray] is widely misattributed to Johann Wolfgang von Goethe. The following passage occurs near the beginning of Murray’s The Scottish Himalayan Expedition (1951):
… but when I said that nothing had been done I erred in one important matter. We had definitely committed ourselves and were halfway out of our ruts. We had put down our passage money— booked a sailing to Bombay. This may sound too simple, but is great in consequence. Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiative (and creation), there is one elementary truth the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then providence moves too. A whole stream of events issues from the decision, raising in one’s favor all manner of unforeseen incidents, meetings and material assistance, which no man could have dreamt would have come his way. I learned a deep respect for one of Goethe’s couplets:
Whatever you can do or dream you can, begin it.
Boldness has genius, power and magic in it!
- from our old friends at Wikipedia. That Goethe quote is great, sure, but I’ll take Murray himself if I’m going on a hike. Murray’s autobiography, btw, was entitled The Evidence of Things Unseen, citing of course Hebrews 11:1.
After Barry Lyndon did you begin work straight away on The Shining?
When I finished Barry Lyndon I spent most of my time reading. Months went by and I hadn’t found anything very exciting. It’s intimidating, especially at a time like this, to think of how many books you should read and never will. Because of this, I try to avoid any systematic approach to reading, pursuing instead a random method, one which depends as much on luck and accident as on design. I find this is also the only way to deal with the newspapers and magazines which proliferate in great piles around the house — some of the most interesting articles turn up on the reverse side of pages I’ve torn out for something else.