Hely’s Grave
Posted: March 22, 2025 Filed under: Australia Leave a comment
Hely’s Grave is a heritage-listed grave at 559 Pacific Highway, Wyoming, Central Coast, New South Wales, Australia. It was designed by John Verge and built in 1836.
Hely’s Grave is the resting place of Frederick Augustus Hely, born in County Tyrone, Ireland, who ended up as superintendent of convicts in New South Wales in 1823. Was that a good job or a bad one? It must’ve been the equivalent of moving to the moon.
John Verge, the architect who designed this grave, also designed Hely’s house, Wyoming Cottage, which still stands and looks nice:

(Source)
Why did John Verge move to Australia? He was having success in London it seems. This may be a clue:
Verge’s marriage eventually failed and, in 1828, he migrated to Sydney, New South Wales, Australia, with his son George Philip, intending to take up a land grant.
His architectural legacy remains all over the Sydney area, I should like to go on a tour some day.
Frederick Hely’s son Hovendon Hely had an interesting career:
He took part in the 1846-47 expedition of Ludwig Leichhardt but was accused by Leichhardt of indolence, disloyalty and “disgusting” behaviour.
Interesting. More details are revealed by The Australian Dictionary of Biography:
Although described by Ludwig Leichhardt as a ‘likeable idler’, Hely joined his unsuccessful expedition of 1846-47. Leichhardt later accused him of disloyalty and dereliction of duty, after Hely and his relation, John Frederick Mann, had also disgusted Leichhardt ‘with their bawdy filthy conversations or with their constant harping on fine eating and drinking’.
Wonderful. “Likeable idler” is my dream job.
Ludwig Leichhardt, a German naturalist, had a curious nature.
His first expedition spanned a lot of northern Australia:

It was not without casualties. A vivid and blunt memorial to John Gilbert is on the wall of St. James Church in Sydney:
“Speared by the blacks.”
A second expedition doesn’t seem to have been much more successful:
Members of the party nearly mutinied after learning that Leichhardt had failed to bring along a medical kit. Faced with failure, Leichhardt seems to have suffered a nervous breakdown, and Aboriginal guide Harry Brown effectively took over as leader of the party, taking them successfully back to the Darling Downs.
Nevertheless Leichhardt kept at it. He tried another expedition and got malaria, survived, and went for one more. On this expedition, he went missing. Who was send to find him but Hovendon Hely:
In December 1851 Hely was appointed head of the official search for Leichhardt after the original appointee had drowned, but revealed little imaginative leadership. According to the Empire in 1864, the expedition ‘established nothing whatever’.
The fate of Leichhardt continues to inspire investigation, there are a number of intriguing clues like a brass plate and a letter recording an aboriginal oral history:
As for Hovendon Hely, he survived and had six sons and a daughter. Many Helys remain in Australia, among them both judges and murderers. So far as I know none of these Helys can be counted as relatives in any meaningful way, but any doorway into Australian history is welcome, and any explorations of that bizarre land are usually rewarded (as long as you don’t get speared).
If any of my Australian correspondents are available for a bit of field work, I’d like to learn why Hely’s Grave is reported by Google Maps as permanently closed. It’s a bit of a trek, an hour six minutes drive from the Park Hyatt Sydney. But on the plus side it’s across the street from a Hungry Jack’s

Carolina Whopper on me for anyone who reports.
Turned Inside Out: Recollections of a Private Soldier in the Army of the Potomac by Frank Wilkeson
Posted: March 15, 2025 Filed under: WOR Leave a commentThis is one of the most vivid books I’ve ever read. It’s cinematic. It describes the journey of a teenage boy from upstate New York into hell. A harrowing journey in a series of scenes that get more and more intense. It’s like watching 1917 or something.
(Trigger warning: sad)
The war fever seized me in 1863. All the summer and fall I had fretted and burned to be off. That winter, and before I was sixteen years old, I ran away from my father’s high-lying Hudson River Valley farm. I went to Albany and enlisted in the Eleventh New York Battery, then at the front in Virginia, and was promptly sent out to a penitentiary building. There, to my utter astonishment, I found eight hundred or one thousand ruffians, closely guarded by heavy lines of sentinels, who paced to and fro, day and night, rifle in hand, to keep them from running away. When I entered the barracks these recruits gathered around me and asked, “How much bounty did you get?” “How many times have you jumped the bounty?” I answered that I had not bargained for any bounty, that I had never jumped a bounty, and that I had enlisted to go to the front and fight. I was instantly assailed with abuse. Irreclaimable blackguards, thieves, and ruffians gathered in a boisterous circle around me and called me foul names. I was robbed while in these barracks of all I possessed—a pipe, a piece of tobacco and a knife.
I remained in this nasty prison for a month. I became thoroughly acquainted with my com-rades. A recruit’s social standing in the barracks was determined by the acts of villany he had performed, supplemented by the number of times he had jumped the bounty. The social standing of a hard-faced, crafty pickpocket, who had jumped the bounty in say half a dozen cities, was assured.
The first people he sees killed are three men attempting to desert as they march down State Street in Albany. They take a steamboat to New York, where a guard kills another man trying to desert. Then they’re put on another steamboat:
Money was plentiful and whiskey entered through the steamer’s ports, and the guards drove a profitable business in selling canteens full of whiskey at $5 each. Promptly the hold was transformed into a floating hell. The air grew denser and denser with tobacco smoke.
Drunken men staggered to and fro. They yelled and sung and danced, and then they fought and fought again. Rings were formed, and within them men pounded each other fiercely. They rolled on the slimy floor and howled and swore and bit and gouged, and the delighted spectators cheered them to redouble their efforts. Out of these fights others sprang into life, and from these still others. The noise was horrible. The wharf became crowded with men eager to know what was going on in the vessel. A tug was sent for, and we were towed into the river, and there the anchors were dropped. Guards ran in on us and beat men with clubbed rifles, and were in turn attacked.
We drove them out of the hold. The hatch at the head of the stairs was closed and locked. The recruits were maddened with whiskey. Dozens of men ran a muck, striking every one they came to, and being struck and kicked and stamped on in return. The ventilation hatches were surrounded by stern-faced sentinels, who gazed into the gloom below and warned us not to try to get out by climbing through the hatches.
Men sprang high in the air and clutched the hatch railings, and had their hands smashed with musket butts. Sentinels paced to and fro along the vessel’s deck, and called loudly to all row-boats to keep off or they would be fired upon. They did not intend that any fresh supplies of whiskey should be brought to us. The prisoners in this floating hell were then told to “go it,” and they went it. We had been searched for arms before we entered the barracks at Albany. The more decent and quiet of us had no means of killing the drunken brutes who pressed on us. There was not a club or a knife or an iron bolt that we could lay our hands to. I fought, and got licked; fought again, and won; and for the third time faced my man, and got knocked stiff in two seconds. It was a scene to make a devil howl with delight.
They reach Alexandria, and then are put on a train to the Union winter camp at Brandy Station. Five more deserters are shot along the way. In the spring, Wilkeson is marched into Virginia. Along the road they pass the bones of unburied dead left from the battle of Chancellorsville.
As we sat silently smoking and listening to the story, an infantry soldier who had, unobserved by us, been prying into the shallow grave he sat on with his bayonet, suddenly rolled a skull on the ground before us, and said in a deep, low voice: “That is what you are all coming to, and some of you will start toward it tomorrow.” It was growing late, and this uncanny remark broke up the group, most of the men going to their regimental camps.
I found this book in a strange way. I was trying to sort out Grant’s Overland Campaign. Here’s an informative video of the strategic level. You can read Grant’s memoirs and many histories and accounts from officers. But what was it like? At Spotsylvania Courthouse, at the Mule Shoe Salient, there was a 22 hour hand to hand scrum, thousands of people killed in like a one square mile bit of earthworks. Did anyone survive to tell about that? In the course of investigating I did find these Australian guys recreating the battle with miniatures:

Their work is amazing.

I’d been playing around with testing various AIs on historical questions. I asked Claude:
What are some notable firsthand account of the fighting at mule shoe salient in the us civil war?
Claude came back with a numbered list of seven sources. Six were officers’ memoirs or official reports, and one was Frank Wilkeson’s “Recollections of a Private Soldier.”

Wilkeson wasn’t actually at the “mule shoe” I don’t think, but close enough. Strangely, on other occasions, Claude has completely made up sources that don’t exist. I go to check them and find they’re nothing, I tell Claude “hey can you give me more information about this, I can’t find it” and Claude says “I apologize, you’re right, I was mistaken.” Weird.
Anyway Frank Wilkeson is very real, his book was reprinted by University of Nebraska Press in 1997. The original title, Recollections of A Private Soldier in the Army of the Potomac, is so boring that it possibly caused this book to be ignored. The new title, Turned Inside Out, refers to how the pockets of the dead would all be turned out by battlefield ghouls and robbers of the dead.
At one point Wilkeson actually sees Grant:
One of my comrades spoke to me across the gun, saying: “Grant and Meade are over there,” nodding his head to indicate the direction in which I was to look. I turned my head and saw Grant and Meade sitting on the ground under a large tree. Both of them were watching the fight which was going on in the pasture field. Occasionally they turned their glasses to the distant wood, above which small clouds of white smoke marked the bursting shells and the extent of the battle. Across the woods that lay behind the pasture, and behind the bare ridge that formed the horizon, and well within the Confederate lines, a dense column of dust arose, its head slowly moving to our left. I saw Meade call Grant’s attention to this dust column, which was raised either by a column of Confederate infantry or by a wagon train. We ceased firing, and sat on the ground around the guns watching our general, and the preparations that were being made for another charge.
Grant had a cigar in his mouth. His face was immovable and expressionless.
His eyes lacked lustre.
He sat quietly and watched the scene as though he was an uninterested spectator. Meade was nervous, and his hand constantly sought his face, which it stroked. Staff officers rode furiously up and down the hill carrying orders and information. The infantry below us in the ravine formed for another charge. Then they started on the run for the Confederate earthworks, cheering loudly the while. We sprang to our guns and began firing rapidly over their heads at the edge of the woods. It was a fine display of accurate artillery practice, but, as the Confederates lay behind thick earth-works, and were veterans not to be shaken by shelling the outside of a dirt bank behind which they lay secure, the fire resulted in emptying our limber chests, and in the remarkable discovery that three-inch percussion shells could not be relied upon to perform the work of a steam shovel. Our infantry advanced swiftly, but not with the vim they had displayed a week previous; and when they got within close rifle range of the works, they were struck by a storm of rifle-balls and canister that smashed the front line to flinders. They broke for cover, leaving the ground thickly strewed with dead and dying men. The second line of battle did not attempt to make an assault, but returned to the ravine. Grant’s face never changed its expression. He sat impassive and smoked steadily, and watched the short-lived battle and decided defeat without displaying emotion. Meade betrayed great anxiety. The fight over, the generals arose and walked back to their horses, mounted and rode briskly away, followed by their staff. No troops cheered them. None evinced the slightest enthusiasm.
The enlisted men looked curiously at Grant, and after he had disappeared they talked of him, and of the dead and wounded men who lay in the pasture field; and all of them said just what they thought, as was the wont of American volunteers. This was the only time that I saw either Grant or Meade under fire during the campaign, and then they were with. in range of rifled cannon only.
For a “you are there” quality of the War of the Rebellion – what Wilkeson calls “the suppression of the slaveholders’ revolt” – I’m not sure this book can be matched by anything I’m aware of except Ambrose Bierce and Sam Watkins. The power here is the scenes.
Before noon we came to the village of Bowling Green, where many pretty girls stood at cottage windows or doors, and even as close to the despised Yankees as the garden gates, and looked scornfully at us as we marched through the pretty town to kill their fathers and broth-ers. There was one very attractive girl, black-eyed and curly-haired, and clad in a scanty calico gown, who stood by a well in a house yard. She looked so neat, so fresh, so ladylike and pretty, that I ran through the open gate and asked her if I might fill my canteen with water from the well. And she, the haughty Virginia maiden, refused to notice me. She calmly looked through me and over me, and never by the slightest sign acknowledged my presence; but I filled my canteen, and drank her health. I liked her spirit.
Everybody who knows their Civil War history knows that a key moment was when Grant, after a disastrous first fight with Lee’s Army of Northern Virginia at the Wilderness, advanced instead of retreating like every previous Army of the Potomac commander. But Wilkeson’s there, man.
” Here we go,” said a Yankee private; “here we go, marching for the Rapidan, and the protection afforded by that river. Now, when we get to the Chancellorsville House, if we turn to the left, we are whipped at least so say Grant and Meade. And if we turn toward the river, the bounty-jumpers will break and run, and there will be a panic.”
“Suppose we turn to the right, what then?”
I asked.
“That will mean fighting, and fighting on the line the Confederates have selected and in-trenched. But it will indicate the purpose of Grant to fight,” he replied.
Then he told me that the news in his Sixth Corps brigade was that Meade had strongly advised Grant to turn back and recross the Rapidan, and that this advice was inspired by the loss of Shaler’s and Seymour’s brigades on the evening of the previous day. This was the first time I heard this rumor, but I heard it fifty times before I slept that night. The enlisted men, one and all, believed it, and I then believed the rumor to be authentic, and I believe it to-day. None of the enlisted men had any confidence in Meade as a tenacious, aggressive fighter. They had seen him allow the Confederates to escape destruction after Get-tysburg, and many of them openly ridiculed him and his alleged military ability.
Grant’s military standing with the enlisted men this day hung on the direction we turned at the Chancellorsville House. If to the left, he was to be rated with Meade and Hooker and Burnside and Pope-the generals who preceded him. At the Chancellorsville House we turned to the right. Instantly all of us heard a sigh of relief. Our spirits rose. We marched free. The men began to sing. The enlisted men understood the flanking movement. That night we were happy.
The site of the turn:
as it was:
James McPherson notes in the introduction, Shelby Foote and Bruce Catton took some of the best stuff from Wilkeson.
The most intense chapter of Wilkeson’s book is called “How Men Die In Battle.” You can read it here if you like. Here’s an excerpt (warning: intense, sad):
Near Spottsylvania I saw, as my battery was moving into action, a group of wounded men lying in the shade cast by some large oak trees. All of these men’s faces were gray. They silently looked at us as we marched past them. One wounded man, a blond giant of about forty years, was smoking a short briar-wood pipe. He had a firm grip on the pipe-stem. I asked him what he was doing. “Having my last smoke, young fellow,” he replied. His dauntless blue eyes met mine, and he bravely tried to smile. I saw that he was dying fast. Another of these wounded men was trying to read a letter. He was too weak to hold it, or maybe his sight was clouded. He thrust it unread into the breast pocket of his blouse, and lay back with a moan. This group of wounded men numbered fifteen or twenty. At the time, I thought that all of them were fatally wounded, and that there was no use in the surgeons wasting time on them, when men who could be saved were clamoring for their skillful attention. None of these soldiers cried aloud, none called on wife, or mother, or father. They lay on the ground, pale-faced, and with set jaws, waiting for their end. They moaned and groaned as they suffered, but none of them flunked. When my battery returned from the front, five or six hours afterward, almost all of these men were dead. Long before the campaign was over I concluded that dying soldiers seldom called on those who were dearest to them, seldom conjured their Northern on Southern homes, until they became delirious. Then, when their minds wandered, and fluttered at the approach of freedom, they babbled of their homes. Some were boys again, and were fishing in Northern trout streams. Some were generals leading their men to victory. Some were with their wives and children. Some wandered over their family’s homestead; but all, with rare exceptions, were delirious..
so I guess that’s what it was like.
In looking for info on the original Chancellor House I find this:
In the early 20th century, Susan Chancellor would often stop by for unannounced visits to the re-built house, much to the chagrin of a young girl who lived there with her family. “It was odd that she never knocked,” 89-year-old Hallie Rowley Sale told the Fredericksburg Free-Lance Star in 2003. “It was like she still thought of it as her home. We would hear a door open. And the next thing we knew, Mrs. Chancellor would be leading a group of people through the house.”
Movie idea
Posted: March 13, 2025 Filed under: film Leave a comment
Mikey Madison

is Dolley Madison.
Aaron Burr set her up with James Madison. A haunted photograph of her late in life.
More Conversations with Walker Percy
Posted: March 5, 2025 Filed under: Uncategorized Leave a comment
Vauthier: Mr. Percy, could we return to the question of time, and could you address the general problem of time in The Moviegoer?
Percy: Time? Well, at the end of the Mardi Gras season, the last scene and the last day of The Moviegoer is Ash Wednesday, so there’s a certain relevance here of the time of the action. The celebration of Mardi Gras is in New Orleans the biggest festival of the year with six weeks of parades and six weeks of parties. It ends with Ash Wednesday which is generally more or less ignored by most people who take part in Mardi Gras.
The role of the writer:
E.O.: Considering this very complicated contemporary scene, what is, to you, the role of a writer today?
W.P.: The role of a writer. Well, it seems to be, for me anyway, to affirm people, to affirm the reader. The general culture of the time is very scientific, one might call it “scientistic” on the one hand, and simply aesthetically oriented, on the other. This does not satisfy a certain reader. So, the reader is left in the state of confusion. The contemporary state of a young American man or woman is that he or she has more of the world’s affluence than any other people on this earth and yet he is more dissatisfied, more restless. He experiences some sense of loss which he cannot understand. For him, the traditional religion does not have the answer. So the role of my kind of writer is to speak to this person about this whole area of experience that he’s at or she’s at. This is what you feel, this is how you feel now. My original example in “The Message in the Bottle” is that you take a commuter, the man on the train. He has everything, he succeeded. He lives in Greenwich, Connecticut. He’s making a hundred thousand dollars a year, and he comes into New York every day. He’s moved into a better house, to a better country club, has a very nice wife and nice kids. He is riding on this train and he wonders: what am I doing? He can open a newspaper, and he can see a column which says something about the mid-life crisis. He can read some popular advice from a popular psychologist who would say why you have your mid-life crisis. But this doesn’t satisfy him. He picks up a book by an American writer, John Marquand, which is about a man like himself, a commuter on the train who has the same sense of loss. So, I say that there is a tremendous difference between a man on the train who is in a certain predicament and the same man on the same train with the same predicament who is reading a book about a man on the train. The role of a writer is very modest. It’s to identify the predicament. The letters I get are from people who say: I didn’t know anybody who talked like that, I know what you mean, you have described my predicament. I get letters from the businessmen (the men on the train), from young men, and from young women, and they’re excited because I’ve named the predicament.
That doesn’t sound like much, that’s a very modest contribution but it’s very important. You see, I agree with Kierkegaard. He said: “I’m not an apostle, it’s not for me to bring the good news. Even if I brought the good news, nobody would believe it.” But the role of a novelist, or an artist, for that matter, is to tell the truth, and to convey a kind of knowledge which cannot be conveyed by science, or psychology, or newspapers.
E.O.: Is this edifying?
W.P.: Edifying. You’ve picked up all the bad words. Well, “edify-ing” is a perfectly good word, but it has very bad connotations in English. Well, in the largest sense, it is edifying, because it’s helpful, it creates hope. At its best it’s affirming, it affirms the reader in the way he or she is. It offers an openness and some hope. And that’s about all a novelist can do.
How about this:
Interviewer: It is clear that once we are dealing with a “post-religious technological society,” transcendence is possible for the self by science or art but not by religion. Where does this leave the heroes of your novels with their metaphysical yearnings-Binx, Barrett, More, Lance?
Percy: I would have to question your premise, i.e., the death of relig-ion. The word itself, religion, is all but moribund, true, smelling of dust and wax-though of course in its denotative sense it is accurate enough.
I have referred to the age as “post-Christian” but it does not follow from this that there are not Christians or that they are wrong. Possibly the age is wrong. Catholics —who are the only Christians I can speak for-still believe that God entered history as a man, founded a church and will come again. This is not the best of times for the Catholic Church, but it has seen and survived worse. I see the religious “transcendence” you speak of as curiously paradoxical. Thus it is only by a movement, “transcendence,” toward God that these characters, Binx et al., become themselves, not abstracted like scientists but fully incarnate beings in the world. Kierkegaard put it more succinctly: the self only becomes itself when it becomes itself transparently before God.
From a profile:
He spent most of a decade writing two never-published novels, though now he swears he never felt discouraged “There was never a moment when I doubted what I wanted to do. It was always writing.” In the mid-1950’s, he began The Moviegoer. “I can remember sitting on that back porch of that little shotgun cottage in New Orleans with a little rank patio grown up behind it, after two failed novels. I didn’t feel bad. I felt all right.
“And it crossed my mind, what if I did something that American writers never do, which seems to be the custom in France: Namely, that when someone writes about ideas, they can translate the same ideas to fiction and plays, like Mauriac, Malraux, Sartre. So it just occurred to me, why not take these ideas I’d been trying to write about, in psychiatry and philosophy, and translate them into a fictional setting in New Orleans, where I was living. So I was just sitting out there, and I started writing.
How he starts:
“My novels start off, almost naturally, with somebody in a predicament and somebody trying to get out of it or embark on some sort of search, some sort of wanderings,” Percy says.
Permission to fail:
Visitor: Some people would rather not face their ordeals. What then?
Percy: I have a theory that what terrifies people most of all is failing to live up to something or other. This terror is the result of television shows, movies, and bad books where things always work out. Even in tragic movies, things are rounded off pretty well; people suffer nervous breakdowns in style and form. But, after all, whenever a movie is filmed, serious moviemakers collect 40 or 50 outtakes or failures, scenes that didn’t work, before they get one that works. So what the audience sees is the one that works. We should approach life that way.
We should give ourselves permission to fail.
My opinion? More Conversations with Walker Percy is even better than Conversations with Walker Percy!
Professor Longhair
Posted: March 4, 2025 Filed under: America Since 1945, music, New Orleans Leave a commentMardi Gras has me thinking about Professor Longhair. In his memoir Rhythm and Blues Jerry Wexler tells a story about Ahmet Ertegun finding the Professor:
I’d started noticing Atlantic’s early releases with Professor Long-hair’s “Hey Now Baby,” “Hey Little Girl,” and “Mardi Gras in New Orleans.” Fess—as the Professor was called—was a revelation for me, my first taste of the music being served up in Louisiana in the late forties.
There were traces of Jelly Roll Morton’s habanera-Cuban tango influence in his piano style, but the overall effect was startlingly original, a jambalaya Caribbean Creole rumba with a solid blues bottom.
In a foreshadowing of trips I myself would later take to New Orleans, Ahmet described the first of his many ethnomusicological expeditions. “Herb and I went down there to see our distributor and look for talent. Someone mentioned Professor Longhair, a musical shaman who played in a style all his own. We asked around and finally found ourselves taking a ferry boat to the other side of the Mississippi, to Algiers, where a white taxi driver would deliver us only as far as an open field. ‘You’re on your own,’ he said, pointing to the lights of a distant village. ‘I ain’t going into that n***ertown.’ Abandoned, we trudged across the field, lit only by the light of a crescent moon. The closer we came, the more distinct the sound of distant music—some big rocking band, the rhythm exciting us and pushing us on. Finally we came upon a nightclub—or, rather, a shack—which, like an animated cartoon, appeared to be expanding and deflating with the pulsation of the beat. The man at the door was skeptical. What did these two white men want? ‘We’re from Life magazine,’ I lied.
Inside, people scattered, thinking we were police. And instead of a full band, I saw only a single musician—Professor Longhair—playing these weird, wide harmonies, using the piano as both keyboard and bass drum, pounding a kick plate to keep time and singing in the open-throated style of the blues shouters of old. “ ‘My God,’ I said to Herb, ‘we’ve discovered a primitive genius.’ “Afterwards, I introduced myself. ‘You won’t believe this,’ I said to the Professor, ‘but I want to record you.’ “ ‘You won’t believe this,’ he answered, ‘but I just signed with Mercury.’
Ahmet recorded him anyway—“ I am many men with many names who play under many styles,” Fess used to say—and jewels from that first session remain in the Atlantic catalogue today, over four decades later.”
(source on that photo) Previous coverage of New Orleans.
The Fate of John Sedgwick
Posted: March 2, 2025 Filed under: photography, WOR Leave a commentOf General John Sedgwick, Grant wrote:
I had known him in Mexico when both of us were lieutenants, and when our service gave no indication that either of us would ever be equal to the command of a brigade. He stood very high in the army, however, as an officer and a man. He was brave and conscientious. His ambition was not great, and he seemed to dread responsibility. He was willing to do any amount of battling, but always wanted some one else to direct. He declined the command of the Army of the Potomac once, if not oftener.
and
he was never at fault when serious work was to be done
I was reading up on Timothy O’Sullivan, a somewhat mysterious character, and his haunting photographs:
On May 5, [Timothy] O’Sullivan and his camera were at the Wilderness where men fought in a virgin forest of oak and pine, choked with underbrush.
It was so thick the troops moved in single line, the powder smoke so heavy, that men stumbled blindly into enemy lines. Two days later OSullivan was with Grant, moving toward Spotsylvania, where on May 8, Grant and Lee faced each other again. One of the last pictures OSullivan made before the battle began was of his old friend General Sedgwick, who liked to describe himself as “practical as distinguished from the theoretical soldier,” standing on the steps of a house surrounded by his staff. A short time later Sedgwick would be killed, as he told a soldier dodging Rebel bullets not to worry, “they could not shoot an elephant at that distance.” The words had just fallen from his lips when he fell, killed by a sharpshooter.
That from James D. Horan, Timothy O’Sullivan: America’s Forgotten Photographer.
A firsthand account of the end of Sedgwick, from Martin McMahon, who was Sedgwick’s chief of staff:
After this brigade, by Sedgwick’s direction, had been withdrawn through a little opening to the left of the pieces of artillery, the general, who had watched the operation, resumed his seat on the hard-tack box and commenced talking about members of his staff in very complimentary terms.
He was an inveterate tease, and I at once suspected that he had some joke on the staff which he was leading up to. He was interrupted in his comments by observing that the troops, who during this time had been filing from the left into the rifle-pits, had come to a halt and were lying down, while the left of the line partly overlapped the position of the section of artillery. He stopped abruptly and said, ” That is wrong. Those troops must be moved farther to the right ; I don’t wish them to overlap that battery.” I started out to execute the order, and he rose at the same moment, and we sauntered out slowly to the gun on the right. About an hour before, I had remarked to the general, pointing to the two pieces in a half-jesting manner, which he well understood, ” General, do you see that section of artillery? Well, you are not to go near it today.” He answered good-naturedly, “McMahon, I would like to know who commands this corps, you or I? ” I said, playfully, “Sometimes I am in doubt myself”; but added, ” Seriously, General, I beg of you not to go to that angle; every officer who has shown himself there has been hit, both yesterday and to-day.” He answered quietly, ” Well, I don’t know that there is any reason for my going there.” ‘ When afterward we walked out to the position indicated, this conversation had entirely escaped the memory of both.
(you can see the inveterate half-jester in this portrait of him, taken probably in 1864, by Matthew Brady or one of his employees)

back to McMahon:
I gave the necessary order to move the troops to the right, and as they rose to execute the movement the enemy opened a sprinkling fire, partly from sharp-shooters. As the bullets whistled by, some of the men dodged. The general said laughingly, ” What! what! men, dodging this way for single bullets! What will you do when they open fire along the whole line? I am ashamed of you. They couldn’t hit an elephant at this distance.” A few seconds after, a man who had been separated from his regiment passed directly in front of the general, and at the same moment a sharp-shooter’s bullet passed with a long shrill whistle very close, and the soldier, who was then just in front of the general, dodged to the ground. The general touched him gently with his foot, and said, ” Why, my man, I am ashamed of you, dodging that way,” and repeated the remark, ” They couldn’t hit an elephant at this distance.” The man rose and saluted and said good-naturedly, ” General, I dodged a shell once, and if I hadn’t, it would have taken my head off. I believe in dodging.” The general laughed and replied, “All right, my man; go to your place.”
For a third time the same shrill whistle, closing with a dull, heavy stroke, interrupted our talk; when, as I was about to resume, the general’s face turned slowly to me, the blood spurting from his left cheek under the eye im a steady stream. He fell in my direction ; I was so close to him that my effort to support him failed, and I fell with him.
Colonel Charles H. Tompkins, chief of the artillery, standing a few feet away, heard my exclamation as the general fell, and, turning, shouted to his brigade-surgeon, Dr. Ohlenschlager. Major Charles A. Whittier, Major T. W. Hyde; and Lieutenant Colonel Kent, who had been grouped near by, surrounded the general as he lay. A smile remained upon his lips but he did not speak. The doctor poured water from a canteen over the general’s face. The blood still poured upward in a little fountain. The men in the long line of rifle-pits, retaining their places from force of discipline, were all kneeling with heads raised and faces turned toward the scene ; for the news had already passed along the line.

After the war, Timothy O’Sullivan accompanied several expeditions out west, and photographed stuff like this:

John Sedgwick was from Cornwall, Connecticut, which seems like a pleasant place. Mark Van Doren wrote a poem about it, here’s an excerpt:
The mind, eager for caresses,
Lies down at its own risk in Cornwall;
Whose hills,
Whose cunning streams,
Whose mazes where a thought,
Doubling upon itself,
Considers the way, lazily, well lost,
Indulge it to the nick of death–
Not quite, for where it curls it still can feel,
Like feathers,
Like affectionate mouse whiskers,
The flattery, the trap.
In Cornwall there’s House VI, an experiment in deconstructivist architecture (a failed experiment?)

The Sedgwicks are a big name in the Berkshires, although I don’t see that our John is connected to the Main Line with Kyra and Edie. There’s a monument to John Sedgwick in Cornwall, but it seems ununique, like a thousand other Civil War monuments:

On the other hand, there’s a monument of him at West Point that has a tradition attached:
Legend holds that if a cadet is deficient in academics, the cadet should go to the monument at midnight the night before the term–end examination, in full dress, under arms, and spin the rowels on the monument’s spurs. With the resulting good luck, the cadet will pass the test.
It seems like he might’ve enjoyed that.

sources, for the photo, for Waud’s drawing and more.









