After we discussed Nintendo soundscapes, a correspondent writes:
So the simplest reason is that Nintendo a whole are like that, gentle, pleasing in aesthetic with musical rhythms to fit. When making the old games like Donkey Kong in the arcades, where they had wanted to a) get kids hooked to Keep spending quarters b) not sound dark or dangerous to scare off any young kids or parents worried about the new technology and c) being forced to create an earworm that, because of the chip being limited yet the amount of time they want you playing, be a sound loop that keeps it bouncy, happy, and remain in players head so you would think of it after leaving the arcade.When they moved home consoles, to the NES there wasn’t anything they could do as music really, the Commodore 64 had only the beeps that the computer chip itself could make, (kind of like what a modem would do). But Nintendo improvised. Say they only had a chip that could make 8 bit tunes, memory space of a few kb which were utilising system itself. No synth or midi or anything like that, 4 channels, because all the memory had to go towards the sprites basically. So you had just a small number or door bell tones basically making the sound effects nd the music at the same time. (Mario bopping a block, grabbing a coin playing along with a tune could go up or down a tiny bit then have to loop back again almost imperceptibly. Staying in c and returning back to the same notes as often as possible in different ways like the song that Never ends til you haven’t even noticed it hasn’t.They also, seeing as budgets and schedules were tight and with almost no memory for music music conposers werent hired, so the programmers had to do this, a little known tidbit is the origin of the Zelda song came from an all nighter. The developers planned on using a tiny orchestration of Ravel’s Bolero as the title crawl, seeing as the arrangement was so old. So that was the idea for the mario kinda games. With something like Zelda, still operating under the same rules but wanting a more grand brave adventurous sound they chose an old arrangement, Rachel’s bolero to go with it, they found out like the night before it had to go to print that it was one month before it would go to public domain so the composer made a whole new score in one night to make one of the most memorable and recognisable tunes ever. 49 years and 11 months and if Zelda was delayed by one month it would have rewritten video game history. But I’m getting off track.The biggest thing to happen after the Nes with the Super Nintendo music was Donkey Kong Country and a fella called David Wise. Nintendo had figured out a way to create a 3D look to a dimensional platforms, by shading the characters differently and moving them along deceptively deep but static backgrounds (kinda like tv animation) so he worked out a way to do the same thing with the same musical limitations. Rare and Nintendo hired him to make one jungle themed tune, link here, and he wrote the music along one string, moved the entire string down a few octaves and then just wrote over that with the melody going over it to basically make it one track sounding like multiple instruments rather than a tiny synth out tracking from less than 10 bits. It seems like it might be simple now but it was revolutionary, it sounded live instrument quality but it was tiny in size in reality. so they hired him to do the whole score. So with Koji Kondo creating Zelda and Mario’s basic looping almost gambling sound effects into what couldn’t really be considered a tune to something you can hum thirty years on to DavidWwise creating 2d soundtracks that sounded 3d by keeping music simple they tapped into repetition and psychological depth that you are still nostalgic for these daysTldr a cartridge has only so many chips back then and so you had to twist the chip to make it repeat the same noise only mildly different to look back to the same chip doorbell which makes it almost 4chord Beatles ish in its genetic simplicity.They’d also loop say four notes a few times then one loop then go back to those same 4 notes and repeat so it wouldn’t sound the same but it would be … familiar maybe why you have such nostalgic memories of them
could be worse
Today was a good day for learning the names of types of crude oil. Source.
The chukar partridge is the national bird of Pakistan and Iraq.
A taxidermied specimen in the Auckland museum.
There’s also a population in the United States.
The chukar population extends to eastern California.
Originally native to southern Eurasia, the chukar (also known as partridge) was brought from Pakistan in 1932 to be a game bird. It is now plentiful in northeastern California (east of the Sierra Nevada and Cascade Range) and the Mojave Desert. It can be found below sea level in Death Valley, and as high as 12,000 feet in elevation in the White Mountains. A chukar range map is available on the California Department of Fish and Wildlife (CDFW) website.
source: CDFW News. More:
Their call is a distinctive chuck-chuck-chuck, from which their name is derived. Skilled hunters who can replicate the call will find this tactic useful.
Gotta get into the desert uplands and try to find one of these guys.
We can never let a Patriots’ Day go by without reflecting on the events of April 19, 1775. How did this happen?
The people of countryside Massachusetts at that time were probably the freest and the least taxed people in the British Empire. What were they so mad about?
From my hometown of Needham, MA, almost every able bodied man went out. What motivated people that morning to grab guns and shoot at their own army?
Lately I’ve been reading Rick Atkinson’s book on the first years of the American Revolution. It’s interesting that Atkinson titled his book this, because as he himself notes:
Popular lore later credited him with a stirring battle cry – “The British are coming!” – but a witness quoted him as warning, more prosaically, “the regulars are coming out.”
The word would’ve gotten out anyway, because of information sent by light in binary code: one if by land, two if by sea. (it was two).
Atkinson does a great job of laying out how tensions and feelings and fears and resentments escalated to this point. George III and his Prime Minister Lord North (they’d grown up together, it’s possible they were half-brothers) miscalculated, misunderstood, overreacted.
North held a constituency in Banbury with fewer than two dozen eligible voters, who routinely reelected him after being plied with punch and cheese, and who were then rewarded with a haunch of venison.
The image of a stern father disciplining a disobedient child seemed to guide George III/North government thinking. Violently putting down rebellions was nothing new, even within the island of Britain. Crushing Scottish revolt had been a big part of George III’s uncle’s career, for example.
From the British side, the disobedience did seem pretty flagrant, the Boston Tea Party being a particularly outrageous and inciting example, from a city known to be full of criminals and assholes. The London government responded with the “Coercive Acts.”
With this disobedient child, the punishment didn’t go over well. The mood had gotten very, very tense in Boston when the April 19 expedition was launched.
Everything about it went wrong. Everybody was late, troops were reorganized under new commanders. Orders were screwed up, the mission was unclear. It was a show of force? A search and destroy? Both? The experience for the soldiers in on it was awful: started out cold and wet, ended up lucky if you were alive and unmangled.
What the Lexington militia was up to when they formed up opposite the arriving Redcoats is unclear. Did they intend to have a battle? Doesn’t seem like it, why would they line up in the middle of a field? There’d already been an alarm, and then a weird break where a lot of the guys went to the next door tavern and had a few.
Were they intending just kind of an armed protest and demonstration (as is common in the United States to this day)?
A lot of the guys in the Massachusetts militias had fought alongside the British army in the wars against the French and Indians. Captain Parker of Lexington had been at Louisburg and Quebec. How much was old simmering resentment of the colonial experience serving with professional British military officers a part of all this?
One way or another, a shot went off, and then it got out of hand very fast. When it was over eight Lexington guys were dead.
The painting above is by William Barnes Wollen, he painted it in 1910. Wollen was a painter of military and battle scenes. He’d been in South Africa during the Boer War, so maybe he knew what an invading army getting shot at by locals was like.
Amos Doolittle was on the scene a few days after the events, interviewed participants, walked the grounds, and rendered the scene like this.
But Doolittle had propaganda motives.
After the massacre at Lexington the British got back into formation and kept moving.
They ran into another fight at Concord Bridge.
Information and misinformation and rumor became a part of the day. The story spread that the British were burning Concord, maybe murdering people.
By now minutemen from all over were blasting away. It must’ve been horrific. Atkinson tells us that the British “Brown Bess” musket fired a lead slug that was nearly .75 of an inch in diameter (compare to, say, a Magnum .45, .45 of an inch).
How would history have been different if the British column had been completely wiped out, like Custer’s last stand? It almost happened. The expedition was saved by the timely arrival of reinforcements with two cannons.
The column avoided an ambush at Harvard Square, but several soldiers died in another gunfight near the future Beech and Elm Streets while three rebels who had built a redoubt at Watson’s Corner were encircled and bayoneted. William Marcy, described as “A simple-minded youth” who thought he was watching a parade, was shot dead while sitting on a wall, cheering.
They were able to get back across the river and into Boston, minus 73 killed, 53 missing, 174 wounded. A bad day in Massachusetts.
This event looms large in the American imagination: the gun-totin’ freedom lovers fighting off the government intrusion. But the more you read about it the more it sounds like just a catastrophe for everyone involved.
Back in Needham the Rev. West reported:
In the evening we had intelligence that several of the Needham inhabitants were among the slain, and in the morning it was confirmed that five had fallen in the action and several others had been wounded. It is remarkable that the five who fell all of them had families, and several of them very numerous families so that there were about forty widows and fatherless children made in consequence of their death. I visited these families immediately, and with a sympathetic sense of their affliction I gave to some the first intelligence they had of the dreadful event, the death of a Husband and a Parent.
I’ve never played Animal Crossing, but my wife is playing, and I can hear the sounds from the next room or down the couch. The sounds are so soothing and pleasant. Since the NES days, Nintendo always managed to produce nice, soothing sounds. Some games are exceptions, but when I think of the sounds of Super Mario, or Tetris on GameBoy, or Mario Kart on N64, and now Animal Crossing, I’m impressed at Nintendo’s ability to generate fun, calming sounds. I believe that’s an under-appreciated part of Nintendo’s appeal and success.
There’s a big stack of books over here I’ve been meaning to write up.
This book is super good. Full of vivid detail.
Drums were banned everywhere in North America except French Louisian by the middle of the eighteenth century, and so were horns, which are made from wood or animal horns and played in hocketing ensembles in the slave coast and Congo-Angola regions.
There are excerpts from a long interview with Jim Dockery, of Dockery Farms. Stories retold and remembered. Sonny Payne tells of the Helena, Arkansas based radio show King Biscuit Time:
These are well-to-do white women listening. I listen, every day when I’m doing the show, for the simple reason that there’s something there. They’re trying to tell you something, and if you think hard enough and listen hard enough, you will understand what it’s all about.
The story this book tells is really about how blues music went from its origin point, where the Southern cross the Dog in the Mississippi Delta, to Chicago and then by record to the UK, where Eric Clapton and Jimmy Page and the Rolling Stones heard it and picked up on it. Along the way there’s so much juicy richness about race and America and music and history and everything. Palmer takes us to a meeting in Chicago where they tried to encourage black migrants to come back to Mississippi.
This book is almost like a response to the fetishizing or the legend-building surrounding the Mississippi Delta and blues music. Says Wald:
If someone had suggested to the major blues stars that they were old-fashioned folk musicians carrying on a culture handed down from slavery times, most would probably have been insulted.
I didn’t know that Mississippi was dry until 1966.
It is startling to thank that all of the evolution from the first Bessie Smith record to the first Rolling Stones record took only forty years. When Skip James and John Hurt appeared at the Newport Folk Festival, they were greeted as emissaries from an ancient, vanished world, but it was only three decades since they had first entered a recording studio – that is, they were about as ancient as disco is to us today.
One point both these books make is that the Mississippi Delta at this time was actually kind of a dynamic region, crisscrossed with railroads, you could quit your job and move and get another one.
Wald tells of an anthropological team from Fisk University and the Library of Congress that visited the Delta in 1941 and 1942. They reported:
There are no memories of slavery in the delta. This section of the delta has little history prior to the revolution of 1861
The research team asked people what their favorite song was. What a question! (My Country Tis of Thee and The Star-Spangled Banner among the answers).
Gotta love a book where this is a footnote.
When I was a kid you couldn’t go to a library book sale or a book store without seeing some paperback Tony Hillerman mysteries, about the Navajo Tribal Police. I never got into books like that, not sure why. But when it comes to New Mexico writers, Tony Hillerman is a name to reckon with. (And there are a lot of New Mexico writers, just see The Spell of New Mexico, edited by Tony Hillerman).
So, as I was gonna be in New Mexico, I got Tony Hillerman’s memoir.
Man. Tony Hillerman was a combat infantryman in World War II. Before he was twenty or so he’d fought his way through the Vosges, killed German boys yards away from him, gone on night raids and been shelled in the dead of winter. Finally he stepped on a landmine, and his war ended in a military hospital. There was a guy in the hospital, a tank gunner, who was called “Jug” because of the way his injuries had mangled his face. Jug considered himself lucky compared to what happened to Colonel Delaney.
All this happened to Tony Hillerman when he was a teenager, before he’d ever really had a girlfriend.
When he got back home, he got a job driving a truck in the New Mexico oil fields. In the Chaco Canyon country, he happened to come across some Navajos on horseback. They were going to an “Enemy Way” ceremony, a ritual for those returned from war.
The healing power and religious idea of this ceremony impressed Tony Hillerman. It was just what he needed. (It sounds like the kind of ceremony Karl Marlantes describes the need for in his book).
Hillerman became a newspaperman in New Mexico, and the rest of the book is mostly funny and interesting stories about that life, and his family, and his decision to attempt some mystery books. On a writing class he taught at UNM:
my premise was that power to persuade lies in the ability to make people see – sometimes literally – the situation as the writer sees it. Instead of telling readers the city should improve its maintenance programs, walk them down the street with you and show them those same details that drew you to that conclusion – the roaches around the drains, the trash collecting on the fences, and so forth. Based on that argument, I’d send them forth.
A good book by a man who seems tough and tender, humble and wise, I read most of it on an overnight train ride.
Speaking of trains, how about Hunter Harrison? A first ballot Hall of Famer for sure if the Hall of Fame is “railroad CEOs.” Hell they’ll probably name the hall after him. Hunter Harrison from the time he was a teenager only ever worked for one kind of company: railroad company.
Harrison’s thing was “Precision Scheduled Railroading,” which apparently revolutionized a kind of sleepy industry.
Harrison created approximately $50 billion in shareholder value in his time as a CEO.
says the book jacket, telling you something about how we’re keeping score. Harrison was an absolute fanatic about railroading. He ran Canadian National, Canadian Pacific, and died on the job running CSX.
I’m not sure if I’ll finish this book, it’s interesting and I’m learning a lot, but I’m just not sure I’m that interested in this guy. So far the part that sticks out in my mind is Harrison’s semi-mentor, Thompson.
Thompson was William F. Thompson – a.k.a. “Pisser Bill”
says the book. I thought the nickname might be kind of a metaphor or something, but no, a few pages later Pisser Bill was at the trainyard and saw something he didn’t like so he pissed all over the place.
This book was worth the price for that alone.