We’ve been thinking a lot about the glow of some of your poems, the visionary language seeping through parts of Angels, and the electric way in which the border between Fuckhead’s consciousness and the outside world is always being dissolved throughout Jesus’ Son. Could you talk a bit more about Whitman’s influence in your poetry and prose?
I’m not sure I could trace the lines of his influence on my language, particularly, or the way his work affects the strategies in my work, or anything like that. His expansive spirit, his generosity, his eagerness to love – those are the things that influence me, not just as a writer, but as a person. His introduction to LEAVES OF GRASS I take as a sort of personal manifesto, especially the passage:
This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body. . . .
found in this interview with Denis Johnson. Oddly or presciently or synchronistically enough I’d been looking for Denis Johnson materials as I did ever so often. How did this guy know this stuff? was what I was looking for as usual.
May I please recommend to you you have actor Will Patton read you the audiobook of:
I loved the experience so much I got into the full unabridged 23+ hours of:
Will Patton is such a gifted, subtle performer of audiobooks.
Let’s give the last word to DJ:
I love McDonald’s double cheeseburgers and I don’t care if they’re made of pink slime and ammonia, I eat them all the time because they’re delicious.
In some translations springtime is rendered as Long June
the only book I’ll ever need?!
if I want to learn more about China I can pick up this month’s Westways:
Lol did somebody pitch Westways “how about a story about China?”
WESTWAYS EDITOR: what angle?
PITCHER: Everything from cities to cuisine! All the facets!
PITCHER: Well, many facets.
EDITOR: Is there enough there?
PITCHER: I think so. Did you know it is a 5,000 year old civilization?
EDITOR: Wow! OK let’s also have a piece on Iceland and car racing for amateurs and I think we’re good!
funny when that’s the first “news” I see when I wake up*
*waking up for second time because I can’t sleep because I’m excited about going to Canada
There are the protected and the unprotected. The protected make public policy. The unprotected live in it. The unprotected are starting to push back, powerfully.
The protected are the accomplished, the secure, the successful—those who have power or access to it. They are protected from much of the roughness of the world. More to the point, they are protected from the world they have created. Again, they make public policy and have for some time.
An article on Vulture invites me to click to learn who cares? with the implied answer being nobody.
Journalism has changed a lot?
Bored with science fiction and unable to interest publishers in his mainstream novels, Dick quit writing to help his new wife in her jewelry business. He liked that even less, and so he pretended to work on a new novel. To make it look realistic, he said in a 1976 interview with Science Fiction Review, he had to start typing.
What emerged was “The Man in the High Castle.” It was dedicated, cryptically and not altogether favorably, to his wife, “without whose silence this book would never have been written.” (In the 1970s, Dick changed the dedication, dropping Anne Dick entirely.)
Ms. Dick said she saw only the pilot of the Amazon series, finding the Nazis a little too threatening.
If you are interested in hearing some ideas that flutter between profound and totally bonkers might I suggest:
How paranoia is natural:
How about this?:
Just a guy with a fragile mind hanging out reading Gestapo documents in German up at UC Berkeley:
In Sweden there’s a fashion brand called Filippa K and I thought it would be funny for someone to do a mashup Filippa K Dick.
But who has the time.
Devoured this book after reading Tyler Cowen’s endorsement. Here are two samples:
How freaking interesting are the Beatles?! Even their names. John and Paul.
If you had a Catholic boyhood like I did and Paul did how can it not have some meaning that these guys are named John and Paul?!
The world these guys came out of!
Mentioned reading Dreaming The Beatles to my buddy, who looked at me like I was an adorable if foolish schoolchild and suggested I get serious and read The Love You Make, written by Peter Brown, who was Brian Epstein’s assistant.
My God, this book! Incredible tale! Brian Epstein:This pained, tragic, wonderful man! Born in to a Jewish family that owned department stores, frequently beaten and hurt after soliciting rough gay sex in public restrooms, one day walks into the Cavern Club and essentially falls in love with the Beatles, who perceived him as somehow fancy and posh, they could not have become what they did without him, his devotion was unquestioned and yet his naivety and inexperience cost them millions.
Both books talk about how phenomenon of being the Beatles almost overwhelmed the Beatles, and everyone around them. At its best it felt something like living in a yellow submarine with all your friends aboard, suggests Sheffield.
At its worst it seems so oppressive and scary it nearly / did kill them. At least once the Beatles were almost crushed to death in their car from the pressure of fans.
Started listening on Spotify to all the Beatles albums, in order.
I would say the biggest leap that hits me is when you get to the third song on this one. You’re listening to like two hours of very solid pop music, and then you get to You’ve Got To Hide Your Love Away.
Then, you get to this:
and we’re on another planet.
On their first album the Beatles covered this:
Hard to find some Beatles songs on YouTube. The hash that was made of the Beatles’ finances and rights is a whole interesting story on its own. Epstein meant the best for the Beatles, can he be blamed for not realizing that lunchbox and doll rights would be worth millions?
The predators that descended on the Beatles later are a dark parade. When Allen Klein heard on the radio that Brian Epstein had died at 32 of a drug overdose, his reaction was to snap his fingers and say “I got em!”
The Beatles were taxed at something like 94%. Various tax avoidance schemes like investing in “related businesses” were somewhat doomed by John’s, especially, disgust at the idea of becoming anything like a businessman.
A publicly traded company, Northern Songs, owned the Lennon-McCartney songs for awhile:
During 1965 it was decided to make Northern Songs a public company to save on capital gains tax. 1,250,000 shares were traded on the London Stock Exchange, which were worth 17 pence each ($0.28), but were offered at 66 pence ($1.09) each. Although the trade was scoffed at by various financial institutions, it was expected that the application lists would not remain open for more than 60 seconds, which is exactly what happened, as the lists were oversubscribed. After the offer was closed, Lennon and McCartney owned 15% each, worth £195,200 ($320,000), NEMS a 7.5% interest, and James and Silver (who served as Northern Songs’ chairmen), controlling 37.5%, with Harrison and Starr sharing 1.6%. The remaining shares were owned by various financial institutions.
At some point Paul bought up more shares without telling John, a bit of sneakiness which Peter Brown treats very harshly. Peter Brown is, in my opinion, a little too brutal on Paul, but then again he was there and I wasn’t. It does seem like all the Beatles could be rather heartless to Brian Epstein, who meant a lot to Peter Brown.
To me, a degree of forgiveness comes in when you think that everything we think of as The Beatles happened to these guys by age thirty. When they were recording the White Album, George Harrison was twenty five. How would you be at twenty-five if you’d been world famous since you were eighteen?
None of them were from stable homes. Ringo’s childhood, in particular, was like some cruel Roald Dahl story. (OK fine it was Dickensian). At age six he’d regularly be left at home all night alone while his mom was at work. Says Brown:
At the age of six, only a year after starting St. Silas’s Junior School, Ritchie developed what was thought to be a simple stomachache. But when the pain lasted through the night he was finally taken to the hospital in an ambulance. It was too late; his appendix had already burst and periontis had set in. He remained in a coma for ten weeks, and with various complications including falling out of his hospital bed on his seventh birthday, he spent a solid year in the hospital. By the time he was back in school he was so far behind the other children he couldn’t read or write, and what little he learned from that point on was taught to him by a sympathetic neighborhood girl.
One rainy morning a big black car came to fetch him in the Dingle and took him away to the Heswall Children’s Hospital, a huge, gray children’s sanitorium in the Wirral. There he was put to bed, where he remained for the next two years.
Ringo is underappreciated, in my view. I’m not qualified to speak to his drumming, which was believed by Paul at least as well as some producers to be not too great. Ringo was treated rather cruelly by the other Beatles but without his good-natured willingness to play diplomat and either forgive or ignore slights and insults it seems clear the Beatles probably would’ve collapsed.
Now it’s time to declare what I consider to be the single most beautiful Beatles song and I declare it to be:
I may be projecting but I believe in the runup to the White Album you can feel a competition of insane excellence between John and Paul. With Blackbird the competition is over. In my opinion some subsequent tension between Paul and John had to do with John’s belief that it was semi-criminal a guy who could write Blackbird would also write some of the stuff Paul McCartney later put out. Thus what was best and greatest about Paul was, to John, tangled up with what was most frustrating about him, as can so often happen with lovers and friends.