Gay Hobo Slang

At Helytimes we love to get submissions for our roving correspondents.  Longtime friend of the blog Mat W. sends in this item:

A good many years ago, I was a pretty faithful reader of Alex Ross’s blog The Rest Is Noise (title later cannibalized for his book, which got him a MacArthur Genius Grant).  In those days I had a pretty boring job and would read almost anything on the internet that made it through the security filter of the company where I worked.  A lot of what Ross had to say made little sense since I didn’t (and still don’t) know much about music, but I would still skim the posts and found a few good bits and bobs.

One day, I came across this post:
http://www.therestisnoise.com/2004/10/interesting_pie.html

“Gay hobo subculture”!? WHA?! Of course long-time readers of Hely Times may recall Smokestack Adrian, but I was intrigued. At the time, searches of the internet didn’t turn up much. I did learn a little bit more about it in George Chauncey’s great Gay New York, but it offers a pretty light treatment, though the subject of the book, I suppose, required only a glancing discussion.

However, I recently found a great book, called Gay Talk: A (Sometimes Outrageous) Dictionary of Gay Slang. It’s by a guy named Bruce Rodgers, and was published in 1972 (under a different title, I believe).  It is GREAT and really reaches back into the pre-Stonewall era for lots of verbal treasures.  Guess what a Veronica’s Veil is, you guys!

AND while paging through I found a whole entry on the hobo! Rather than type up the highlights, I’ll just include a picture of the entry for all you candy kids out there.

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Like some…

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He lives in a room above a courtyard behind a tavern and he comes down at night like some fairybook beast to fight with the sailors. (5)

 

The sun was just down and to the west lay reefs of bloodred clouds up out of which rose little desert nighthawks like fugitives from some great fire at the earth’s end.  (23)

 

Then he waded out into the river like some wholly wretched baptismal candidate. (29)

 

The ground where he’d lain was soaked with blood and with urine from the voided bladders of animals and he went forth stained and stinking like some reeking issue of the incarnate dam of war herself. (58)

 

He found a clay jar of beans and some dried tortillas and he took them to a house at the end of the street where the embers of the roof were still smoldering and he warmed the food in the ashes and ate, squatting there like some deserter scavenging the ruins of a city he’d fled. (63)

 

Itinerant degenerates bleeding westward like some heliotropic plague. (82)

 

The judge sat upwind from the fire naked to the waist, himself like some pale deity, and when the black’s eyes reached his he smiled. (97)

 

He looked like some loutish knight beriddled by a troll.  (107)

 

The nearest man to him was Tobin and when the black stepped out of the darkness bearing the bowieknife in both hands like some instrument of ceremony Tobin started to rise. (112)

 

They crossed before the sun and vanished one by one and reappeared again and they were black in the sun and they rode out of that vanished sea like burnt phantoms with the legs of the animals kicking up the spume that was not real and they were lost in the sun and lost in the lake and they shimmered and slurred together and separated again and they augmented by planes in lurid avatars and began to coalesce and there began to appear above them in the dawn-broached sky a hellish likeness of their ranks riding huge and inverted and the horses’ legs incredibly elongate trampling down the high thin cirrus and the howling antiwarriors pendant from their mounts immense and chimeric and the high wild cries carrying that flat and barren pan like the cries of souls broke through some misweave in the weft of things into the world below.  (115)

 

Far out on the desert to the north dustspouts rose wobbling and augered the earth and some said they’d heard of pilgrims born aloft like dervishes in those mindless coils to be dropped broken and bleeding upon the desert again and there perhaps to watch the thing that had destroyed them lurch onward like some drunken djinn and resolve itself once more in the elements from which it sprang. (117)

 

They had but two animals and one of these had been snakebit in the desert and this thing now stood in the compound with its head enormously swollen and grotesque like some fabled equine ideation out of an Attic tragedy. (121)

 

The squatters stood about the dead boy with their wretched firearms at rest like some tatterdemalion guard of honor. (125)

 

Like some ignis fatuus belated upon the road behind them which all could see and of which none spoke. (126)

 

Under a gibbous moon horse and rider spanceled to their shadows on the snowblue ground and in each flare of lightning as the storm advanced those selfsame forms rearing with a terrible redundancy behind them like some third aspect of their presence hammered out black and wild upon the naked grounds. (157-8)

 

The dead lay awash in the shallows like the victims of some disaster at sea and they were strewn along the salt foreshore in a havoc of blood and entrails. (163)

 

One of the Delawares passed with a collection of heads like some strange vendor bound for market, the hair twisted about his wrist and the heads dangling and turning together. (163)

 

Glanton was first to reach the dying man and he knelt with that alien and barbarous head cradled between his thighs like some reeking outland nurse and dared off the savages with his revolver. (165)

 

All about her the dead lay with their peeled skulls like polyps bluely wet or luminescent melons cooling on some mesa of the moon. (181-2)

 

They passed along the ruinous walls of the cemetery where the dead were trestled up in niches and the grounds strewn with bones and skulls and broken pots like some more ancient ossuary. (182)

 

It was raining again and they rose slouched under slickers hacked from greasy iralfcured hides and so cowled in these primitive skins before the gray and driving rain they looked like wardens of some dim sect sent forth to proselytize among the very beasts of the land. (195)

 

The riders pushed between them and the rock and methodically rode them from the escarpment, the animals dropping silently as martyrs, turning sedately in the empty air and exploding on the rocks below in startling bursts of blood and silver as the flasks broke open and the mercury loomed wobbling in the air in great sheets and lobes and small trembling satellites and all its forms grouping below and racing in the stone arroyos like the imbreachment of some ultimate alchemic work decocted from out the secret dark of the earth’s heart, the fleeing stag of the ancients fugitive on the mountainside and bright and quick in the dry path of the storm channels and shaping out the sockets in the rock and hurrying from ledge to ledge down the slope shimmering and eft as eels.  (203)

 

A mile further and he came upon a strange blackened mass in the trail like a burnt carcass of some ungodly beast. (225)

 

He too had lost his hat and he rode with a woven wreath of desert scrub about his head like some egregious saltland hard and he looked down upon the refugee with the same smile, as if the world were pleasing to him alone. (228)

 

The other heads glared blindly out of their wrinkled eyes like fellows of some righteous initiate given up to vows of silence and of death. (230)

 

The judge was standing on the rise in silhouette like some great balden archirnandrite. (285)

 

The judge in the floor of the well likewise rose and he adjusted his hat and gripped the valise under his arm like some immense and naked barrister whom the country had crazed. (296)

 

The idiot squatted on all fours and leaned into the lead like some naked species of lemur. (298)

 

When he raised his head to look out he saw the expriest stumbling among the bones and holding aloft a cross he’d fashioned out of the shins of a ram and he’d lashed them together with strips of hide and he was holding the thing before him like some mad dowser in the bleak of desert and calling out in a tongue both alien and extinct. (302)

 

This troubled sect traversed slowly the ground under the bluff where the watcher stood and made their way over the broken scree of a fan washed out of the draw above them and wailing and piping and clanging they passed between the granite walls into the upper valley and disappeared in the coming darkness like heralds of some unspeakable calamity leaving only bloody footprints on the stone.  (326)

 

The candles sputtered and the great hairy mound of the bear dead in its crinoline lay like some monster slain in the commission of unnatural acts. (340)

Been re-reading this in audiobook format, blowing my mind like some mind that’s getting blown.  Those page numbers, from Google books, are from the hardcover, not that paperback.  (And don’t think I’m braggin’ with all those post-its on my copy — that’s the condition in which the book was returned to me after being loaned to a scholarly friend.)

Don’t miss Mills on the topic.  Always worth rewatching:


Dustin Van Wechel, “Headstrong”

Reader “Matt M.” in La Jolla writes:

Dear Helytimes,

I know you’ve been accused of being “Headstrong” so I thought you might enjoy DVW’s image of the same name, which I saw on the Autry Museum’s Pinterest page.

Love the site!

– Matt M.

Right you are, Matt.  Thanks for reading.  That painting is oil on linen.  Van Wechel is truly one of our finest living buffalo painters.

You can write to HelyTimes Mailbag at helphely at gmail, subject line “Mailbag.”


Everything is something.

IMG_7241The bartender said that the drive from Fort Davis to Balmorhea – forty miles or so – was “some of the prettiest state highway driving in all of Texas.”

Sold, obvs.

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I don’t think my pictures do justice to the Wild Rose Pass.  In fact, I know they don’t.

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I was distracted listening to Bruce Springsteen’s Nebraska, which I’d never listened to:

I would say “Atlantic City” is my favorite song on this album.  I was never super-into Bruce Springsteen.  But: respect:

Initially, Springsteen recorded demos for the album at his home with a 4-trackcassette recorder. The demos were sparse…

Springsteen then recorded the album in a studio with the E Street Band. However, he and the producers and engineers working with him felt that a raw, haunted folk essence present on the home tapes was lacking in the band treatments, and so they ultimately decided to release the demo version as the final album.

Complications with mastering of the tapes ensued because of low recording volume, but the problem was overcome with sophisticated noise reduction techniques.

“Nebraska” itself is an interesting song, about Charlie Starkweather:

The song begins with Starkweather meeting Fugate:

I saw her standin’ on her front lawn just a-twirlin’ her baton
Me and her went for a ride, sir…and 10 innocent people died

Springsteen was inspired to write the song after seeing Terrence Malick’s movie Badlands on television. The portrait in the opening lines of the girl standing on her front lawn twirling her baton was taken from the movie.

Starkweather himself was [supposedly] influenced by James Dean:

After viewing the film Rebel Without a Cause, Starkweather developed a James Dean fixation and began to groom his hairstyle and dress himself to look like Dean. Starkweather related to Dean’s rebellious screen persona, believing that he had found a kindred spirit of sorts, someone who had suffered torment similar to his own whom he could admire.

Charlie Starkweather killed eleven people.  Ban movies, I guess.

Fort Davis:

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From 1854 to 1891, Fort Davis was strategically located to protect emigrants, mail coaches, and freight wagons on the Trans-Pecos portion of the San Antonio-El Paso Road and the Chihuahua Trail …

During the Civil War, Confederate States Army troops manned the fort which was attacked on August 9, 1861 by Mescalero Apaches. The native warriors attacked the garrison’s livestock herd, killed two guards and made off with about 100 horses and or cattle.

At Fort Davis they have an audio program, where they play announcements of the sort that would’ve been heard on the parade ground, years ago.  The day I was there the audio program was a list of ceremonies and salutes to acknowledge the death of former president Andrew Johnson.  Gun salutes every hour, and then at sundown.

In the reconstructed barracks, I came upon some National Park Service Personnel discussing the site, and the reproductions they’d used of guns and quilts and so forth.  They got quiet and respectful when I came in, and said if I had any questions they would answer them.  Then they got back to joking about how someday someone would sell the reproduced guns on eBay as “authentic!  from Fort Davis!”

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A poignant obituary:

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At lunch a guy came up to me and mistook me for Dave.  “You look just like Dave  – in profile!”

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A house I saw in Balmorhea.  I sat right down in the middle of the road to take a picture of it.

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In Balmorhea there’s a spring:

Between 20 million and 28 million US gallons (90,850 cubic meters) of water a day flow from the springs.

That’s crazy.

There was a sign nearby offering snorkel rental:

The cienega now serves as a habitat for endangered fish such as the Comanche Springs pupfish and Pecos gambusia as well as other aquatic life, birds and other animals.

I did not take a picture, because you can’t take a picture of everything.  But here’s one from the Texas Parks Department:

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Later a friend of mine described the drive from Marfa to Austin, seven hours away.

“The first time I did it,” he said,  “I was bored because I thought it was nothing.  But then, as I got used to it, I realized everything is something.”

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In Fort Davis I wanted to visit the rattlesnake and reptile museum.  I walked in, and there was no one there.  So I walked around.  A Spanish language radio station was playing.  Then, as I was leaving, I realized it cost $4.  I only had two singles or a twenty.  I left the two dollars, and figured that was good enough since no one had been there to explain the various lizards and scorpions anyway.

But then I thought, “Steve, you know better.  This man went to all the trouble of collecting these snakes.  All he asks is four dollars.”  I went back.  The snake man was there.  He’d been watching me the whole time, he said.


The Golden Gate Bridge Under Construction

The very first shot of The Lone Ranger is set in San Francisco in 1933.  There’s a wide shot of the Golden Gate Bridge under construction.

I can’t remember ever seeing that before.  I went looking for photos of it and found some good ones here, at the UC system’s Calisphere.

and


Sitting Bull Part 2

That detail about the meadowlark is from Nathaniel Philbrick, The Last Stand: Custer, Sitting Bull and The Battle of The Little Bighorn.  At best the second-best book about the Little Bighorn battle, first of course being:

but that image is amazing.  Good on Philbrick.

What is amazing about “Son Of The Morning Star” is Connell doesn’t just tell the story, he follows the meandering lines that lead to it and out of it, and the people who traced them.  He demonstrates that as soon as you focus on any particular incident, you can keep finding new dimensions of weirdness in it.

Take, for example, this meadowlark warning Sitting Bull.  Philbrick cites that detail as coming from the recollections of One Bull, Sitting Bull’s nephew, found in box 104, folder 21 of the Walter Campbell collection.  Walter Campbell was born in Severy, Kansas in 1887.  He was the first Rhodes Scholar from the state of Oklahoma.  He wrote under the name Stanley Vestal.  Why?  I don’t know.  According to the University of Oklahoma, where his collection is kept, he was adopted by Sitting Bull’s family, and “was named Makes-Room or Make-Room-For-Him (Kiyukanpi) and His Name Is Everywhere (Ocastonka). Kiyukanpi was the name of Joseph White Bull’s father, and Ocastonka is a reference to the Chief’s great fame.”

Here’s a picture from the Walter Campbell collection:

That’s Young Man Afraid Of His Horses. Here’s another:

Regrettably OU won’t let me make that any bigger.  Campbell/Vestal/His-Name-Is-Everywhere died of a heart attack on Christmas Day, 1957.

There’s also a Walter CAMP who is very important in Bighorniana.  Camp worked for the railroad, and so could travel all over.  An unsourced detail from Indiana University’s Camp collection is that this is how he “spent his summers,” finding lost battlefields and interviewing old Indians and soldiers.  Here is a picture from Camp’s collection:

As for One Bull, here he is.  This is a photograph by William Cross (which I found here):

On wikipedia’s page for One Bull, however, they illustrate him with a picture of his spoon:

This spoon is now in the Spurlock Museum, at the University of Illinois at Urbana-Champaigne, where they also have collections of Japanese wood carvings, Arctic artifacts, and Babylonian clay tablets.


Sitting Bull

In August of 1890, Sitting Bull left his home to check on his ponies.  After walking more than three miles, he climbed to the top of a hill, where he heard a voice.  A meadowlark was speaking to him from a nearby knoll.  “Lakotas will kill you,” the little bird said.