Some scrap items found on my phone:
I had to stop following Caroline Calloway on Instagram which is too bad, there’s a genius to sentences like this.
2) A view in Pittsburgh:
Pittsburgh is beautiful.
4) I believe the source here is an interview with Years & Years singer Olly Alexander in Issue 11 of The Happy Reader, but can’t confirm, no longer have the issue. The phrase “Who is the hot boy? Who is the boy that will always bring the looks?” does not appear exactly in a Google search.
5) Seen in Hollywood:
6) Cat on a tray:
7) Portrait of the blogger as a boy:
was trying to capture the stark steepness of the street across the lake, and the special but unrelenting quality of afternoon sun in LA, and also how LA can look very lush and inviting while also having a kind of washed down, contained, prison-like aspect.
Thought this Vox piece about Antelope Canyon by Rebecca Jacobs was insightful on the meanings of photography in Instagram Age.
What’s the meaning of a tour where they tell you how to photograph it?
first see the rocks early the next morning with a tour group, which is the only way you are allowed to visit them. Before our guide tells us his name, which we find out is Anthony, he asks us the most crucial question of the day: “Do you all have iPhones?”
Anthony instructs all of us except the kid with the Samsung to open our camera apps, click the icon in the top right corner, and swipe to a setting called “Vivid Warm.”
The painting evokes a sense of Pacific paradise in which sexual relations are playful and harmless. According to Professor Peter Toohey, “this jealousy is not the product of a threat to an exclusive sexual relationship or jilted love affair – it is the result of one of the sisters having enjoyed more sex than the other the night before”.
So says Professor Toohey. Gauguin.org counters:
Despite the title, there seems to be no rivalry between the two women, who are not talking. Rather, the question might be directed at those who would see the painting in the future and might envy Gauguin and his models their tropical dolce far niente.
Over at Paul-Gauguin.net, you can view his works according to some ranking of popularity.
Breton Village Under Snow.
Here in LA, at LACMA, we have:
And a few others, none of them currently on view:
How about a wood carving?:
“Be in love and you will be happy.”
Gauguin’s ankle was injured in a fight in 1894. This is sometimes referred to as “a drunken brawl,” or “a brawl with sailors,” but in this book
we’re told that
on an outing to Concarneau, he and Anna and a couple of friends got into a squabble with some children
(we’ve all been there, you’re at the beach and you get in a fight with some children).
Local sailors came to the youngsters’ assistance, and in the ensuing brawl, Gauguin broke his ankle.
Anna by the way was not Gauguin’s wife and mother of his kids, but his mistress, seen here:
who would dance with a little monkey for society gentlemen
Gauguin: what a piece of work!
stole that straight from Artnet.
The tale of who owns Vivian Maier’s work is interesting. Through some twists, John Maloof, the Chicago real estate developer (?) who found and bought most of the physical photos at a storage auction, does not at present own the copyright:
Until those heirs are determined, the Cook County Administrator will continue to serve as the supervisor of the Maier Estate.
It’s 1539. Henry VIII is 48 years old and single. Wife 1 didn’t work out, Wife 2 got beheaded, Wife 3 died. The Hunt For Wife 4 is on:
King Henry VIII of England was considering a royal marriage with Cleves, so following negotiations with the duchy, Hans Holbein the Younger, Henry’s court painter, was dispatched to paint Amalia and Anne, both of whom were possible candidates, for the freshly widowed king in August 1539. After seeing both paintings, Henry chose Anne.
There is a tradition that Holbein’s portrait flattered Anne, derived from the testimony of Sir Anthony Browne.
Is this Amalia?:
Wikipedia says so but the Royal Collection won’t admit it.
When he met Anne in person Henry was bummed:
succinctly put in:
Marines Hit Three Feet of Water as They Leave Their LST to Take the Beach at Cape Gloucester, New Britain. Photographer appears to be Sgt. Robert M. Howard.
On one of the episodes of Theme Time Radio Hour Bob Dylan himself says that the actual highway 61 is boring now, nothing but ads for riverboat casinos. That may be true south of Vicksburg but north of the Biedenharn Coca-Cola Museum and the Catfish Row Art Park, I found the road compelling.
Mississippi Fred McDowell was born of course in Rossville, Tennessee.
It was Dave [David L. Cohn] in God Shakes Creation who said, “The Delta begins in the lobby of the Peabody Hotel and ends on Catfish Row in Vicksburg.” He was always welcome at the Peabody; they were glad to see him – he stayed there whenever he was in Memphis – but they never even gave him a cup of coffee, and he thought it was rather amusing that they had so little appreciation of this publicity.
So says Uncle Shelby, of Greenville and Memphis:
Since we’d been to Memphis we steered towards Oxford Miss to visit Faulkner’s house:
On Highway 61 lots of blues type sites, Muddy Waters’ birthplace for instance:
marked by signs for the Mississippi Blues Trail. But many signs tell you you are also on the Mississippi Mound Trail.
Mounds make a thousand or more years ago by some lost culture, perhaps connected to the people who built Cahokia:
And where in the beginning the predecessors crept with their simple artifacts, and built the mounds and vanished, bequeathing only the mounds in which the succeeding recordable Muskhogean stock would leave the skulls of their warriors and chiefs and babies and slain bears, and the shards of pots, and hammer- and arrow-heads and now and then a heavy silver Spanish spur.
So says Faulkner in his essay Mississippi. In Sanctuary he says:
The sunny air was filled with competitive radios and phonographs in the doors of drug- and music- stores. Before these doors a throng stood all day, listening. The pieces which moved them were ballads simple in melody and theme, of bereavement and retribution and repentance metallically sung, blurred, emphasised by static or needle – disembodied voices blaring from imitation wood cabinets or pebble-grain horn-mouths above the rapt faces, the gnarled slow hands long shaped to the imperious earth, lugubrious, harsh, and sad.
You can only listen to so much of that though; when I pulled over for Dunn Mounds I was listening to Maron interview Jennifer Lawrence.
The Raven map tells the story of the Delta. Another flooding bottomland is the Nile delta:
where they also kept slaves, and built mounds.
great tour of the Blues Trail sites here on Wiki by Chillin662.