Three of the four Arnold children. The oldest boy earned the money to buy his bicycle. Western Washington, Thurston County, Michigan Hill.
Child living in Oklahoma City shack town
at a sample
Cotton picker, southern San Joaquin Valley
Woman in pea picker’s camp. California. “I seen our corn dry up and blow over the fence back there in Oklahoma”
Children of migratory Mexican field workers. The older one helps tie carrots in the field. Coachella Valley, California
Dorothea Lange photos
Mexican girl who picks peas for the eastern market. Imperial Valley, California
I’ll explain it this way: Both William Henry Jackson and Edward Weston photographed the American West extensively. But in my opinion, only Weston’s photographs qualify as art. Jackson, for all his devotion to the subject, was recording the scene. Weston, on the other hand, was actually creating something new. In his work, subject is of secondary importance to the total photograph. Similarly, while the landscapes that I have photographed in Yosemite are recognized by most people and, of course, the subject is an important part of the pictures, they are not “realistic.” Instead, they are an imprint of my visualization. All of my pictures are optically very accurate–I use pretty good lenses–but they are quite unrealistic in terms of values. A more realistic simple snapshot captures the image but misses everything else. I want a picture to reflect not only the forms but what I had seen and felt at the moment of exposure.
Playboy: Give us an example.Adams: My Moonrise, Hernandez, New Mexico has the emotion and the feeling that the experience of seeing the actual moonrise created in me, but it is not at all realistic. Merely clicking the camera and making a simple print from the negative would have created a wholly different–and ordinary–photograph. People have asked me why the sky is so dark, thinking exactly in terms of the literal. But the dark sky is how it felt.
When photographer Alfred Stieglitz was asked by some skeptic, rather scornfully, “How do you make a creative photograph?” he answered, “I go out into the world with my camera and come across something that excites me emotionally, spiritually or aesthetically. I see the image in my mind’s eye. I make the photograph and print it as the equivalent of what I saw and felt.” That describes it well. What he called seeing in the mind’s eye, I call visualization. In my mind’s eye, I am visualizing how a particular revelation of sight and feeling will appear on a print. If I am looking at you, I can continue to see you as a person, but I am also in the habit of shifting from that consciously dimensional presence to a photograph, relating you in your surroundings to an image in my mind. If what I see in my mind excites me, there is a good chance it will make a good photograph. It is an intuitive sense and also an ability that comes from a lot of practice. Some people never can get it.
Playboy: When did you know you could accomplish it?Adams: I had my first visualization while photographing Half Dome in Yosemite in 1927. It was a remarkable experience. After a long day with my camera, I had only two photographic plates left. I found myself staring at Half Dome, facing the monolith, seeing and feeling things that only the photograph itself can tell you. I took the first exposure and, somehow, I knew it was inadequate. It did not capture what I was feeling. It was not going to reflect the tremendous experience. Then, to use Stieglitz’ expression, I saw in my mind’s eye what the picture should look like and I realized how I must get it. I put on a red filter and figured out the exposure correctly, and I succeeded! When I made the prints, it proved my concept was correct. The first exposure came out just all right. It was a good photograph, but it in no way had the spirit and excitement I had felt. The second was Monolith, the Face of Half Dome, which speaks for itself.
They were the ones Weston called the fuzzy-wuzzies. They would go out into the street and find some old bum with a matted beard, and they’d get a tablet of Braille and make the old man put his fingers on the Braille. They would place him in an old chair, looking up through a cloud of cigarette smoke that was illuminated by a spotlight. The title would be Mine Eyes Have Seen the Glory. That must have been done a thousand times. There were also slimy nudes.
I am an Ansel Democrat:
Playboy: You said that earlier. We assumed you were speaking rhetorically. Weren’t you?Adams: Definitely not. We are on a disaster course. A revolution may happen first; and, of course, that may be a disaster anyway. I don’t say it would be a Soviet revolution, but it could very well result in a different order of society. It could be a socialist setup that might work for a while. We don’t know. The point is, I think there may be a revolution if there is not greater equality given to all citizens. We have consistently considered the employer, especially the large corporations, as the most valuable part of the American society. We have consistently overlooked the enormous importance of the farmer, the technician, the educator, the artist, the laborer. I’m not calling for a revolution; I’m calling for greater equality to all citizens. If that doesn’t happen, something will.You see, I believe in a Federalism under which you would pay your taxes to a properly elected and conducted central Government that would, in turn, provide essential services–which would include medical care and other essentials–to the population. I do think there is a basic obligation for everyone to make his maximum contribution to society, but we talk about opportunity for everyone, and the fact is that it is perfectly obvious that equal opportunity does not exist. It’s about time we woke to that fact and clarified the whole social-political structure. Or we’ll be awakened.Remember, ten percent unemployment, no matter how high that is, is an average. There are places and segments of the population with much higher unemployment. People will not continue to tolerate those conditions. What we need is a new set of political commandments that call to attention some of the basic provisions of the Constitution that are often overlooked by our contemporary leaders. There are inalienable rights that are supposed to be guaranteed. It is absolutely criminal that our Government has consistently supported rightist governments that deny citizens’ rights while being paranoid about any liberal concept, which is the concept upon which our country was founded. But, remember, it took a revolution here.
And finally, his martini recipe:
Playboy: While we’re on the subject, that is some strong martini we’ve sampled. Will you share your recipe with us?Adams: The martini I am drinking now is simply diluted–that way, I can have several. But the ones you’re sipping come from a Hotel Sonesta bartender in Cambridge. You take a good-sized glass and fill it with fine vermouth. Then you marinate some big lemon peels in there for days. As the vermouth evaporates or is used up, replenish it. All you need is a glass, ice, vodka and a lemon peel. Rub the lemon peel around the rim of the glass, drop it in, and you have a very dry martini.
Worth remembering that the American Revolution started when the federal government sent troops to take away people’s guns and ammunition.
More men from Needham died on April 19, 1775, I believe, than from any other town except Lexington:
The detail in that footnote! What she remembers, the old blind woman: how many of the soldiers had thrown away their coats! It was under the will of this venerable lady that he first received a legacy!
History gets so much more interesting when you get into how do we know this? what is the source? who claims this? who saw it happen?
The Needham Public Library.
Amos Doolittle wasn’t there but he showed up a few weeks later:
My favorite book on this topic is:
Tourtellot is really kind of funny when he rips into his least favorite patriot, vain old John Hancock:
that illustration up top from:
a British book – is there a pro-Redcoat bias?
Joshua TreeGaililee, RI
New ZealandTwo HarborsLos Angeles
From Stephen L. Carter’s 2017 predictions, via Tyler Cowen. (Helytimes is increasingly becoming a Tyler Cowen processing center).
That photo is by Yoichi Okamoto:
Looking a bit like Fredrik Wikingsson there, and here are more by Yoichi:
found at this NYT slideshow of his work from 2013.
via Tyler Cowen I learn about Nigerian artist Prince Twins Seven Seven
or more formally Prince Taiwo Olaniyi Wyewale-Toyeje Oyekale Osuntoki. He received his nickname because he was the only surviving child from seven distinct sets of twins.
He came to the United States in the late 1980s and settled in the Philadelphia area, although he traveled abroad frequently. His life entered a turbulent period, filled with drinking and gambling, he said. Destitute, he found work as a parking-lot attendant for Material Culture, a large Philadelphia store that sells antiquities, furnishings and carpets.
When the owner learned that Prince Twins Seven-Seven was an artist, he had him decorate the store’s wrapping paper. Later, he was given a small room to use as a studio.
from his obituary
Story of a Meme
I enjoy a good natured meme, who doesn’t? By meme here I mean a sharable picture with text on it.
Googled top meme and was disappointed by what I found. So, I decided to create one. I used this photo from photographer Cristina Mittermeier. I found it here on Nat Geo Traveler’s Instagram, where there is some photographic history of this bear:
who lives near Hartley Bay, British Columbia:
Then I added text with Phonto:
Producer Marc recommended I switch to the more traditional font:
It may be presumptuous to call something a meme that you invented rather than found. Is not the whole point participating in anonymous folk culture? But I think this is an enjoyable meme so I wanted to share it with you.
Can you use it among friends? I think so. I think I’ve done my ethical and I hope legal duty in giving proper credit for what I did on this not for profit art blog, but hey if I’m wrong let me know.
Someone on Twitter suggested it could be spelled “oh hai” but I’m happy with my choice.
Attempted a second one:
Maybe lightning only strikes once. Or you just need the right bear:
Should the bear be paid?
I’m tryna get that big picture view on things. How does it all work?
The search for answers led me to this magazine.
What to make a magazine that has ads like this?
Just a casual classified:
As part of my ongoing effort to become a guy who considers buying barge-mounted power plants, I became a subscriber.
The editor of The Economist is Zanny Minton Beddoes:
The Economist states its mission on the table of contents:
It takes an editorial stance of classical and economic liberalism which is supportive of free trade, globalisation, free immigration and cultural liberalism (such as supporting legal recognition for same-sex marriage or drug liberalization).
To say it takes that stance is to put it mildly. The Economist believes in free trade and globalisation the way other people believe in gravity. For example, casual assumption what is “sensible” for Paraguay:
Per Wikipedia again, linking to this 1999 Andrew Sullivan snark attack:
[Andrew Sullivan] also said that The Economist is editorially constrained because so many scribes graduated from the same college at Oxford University, Magdalen College.
Not true! Zanny Minton Beddoes went to Oxford University, St. Hilda’s College!
as a weekly compost of world news and economics, it’s very hard to beat–a kind ofReader’s Digest for the overclass. It’s written in the kind of Oxbridge prose that trips felicitously into one ear and out the other, and it subtly flatters some Americans into feeling that they are sitting in on a combination of an English senior common room and a seminar at Davos. Besides, it’s hard to dislike a magazine that can run a photo of the pope meeting with Bill Clinton over the caption: “That’s 1,000 Hail Marys.”
That’s all true. The subtle flattery is what I’m paying for. Plus I love a good compost.
Sullivan has harsher criticisms, some of which still seem relevant seventeen years later. I like his take that The Economist‘s no bylines policy is suspiciously socialist. He’s criticizing The Economist for not being free markety enough!
More from Wiki’s “Criticism, accusation and praise“:
The Guardian wrote that “its writers rarely see a political or economic problem that cannot be solved by the trusted three-card trick of privatisation, deregulation and liberalisation”
To which The Economist might respond, “and where are we wrong?”
True to their hero, Adam Smith, The Economist hovers between brilliant and goofy.
Here are some things I’ve learned from reading The Economist in the last three weeks:
- “global internet traffic will surpass one zettabyte for the first time this year, the equivalent of 152m years of high-definition video”
- Under Emperor Augustus, military wages and pensions absorbed half of all Rome’s tax revenues.
- Norway’s sovereign wealth fund owns more than 2% of all listed shares in Europe and over 1% globally. Its largest holdings are in Alphabet, Apple, Microsoft and Nestlé. The fund is worth $882 billion.
- The United Arab Emirates recently started a Ministry of Happiness
- There’s so much cannabis grown in Albania that in 2014 it might’ve had a value equal to half of the country’s GDP
- bluefin tuna are down 97% from their peak in the early 1960s
- Japanese people are obsessed with Portland
How about this take: reporting on the Russian elections, where only 48% of people bothered to vote on the selected candidates they were allowed to, here’s how The Economist sees the problem:
Mr Putin’s latest victory turns the Duma into more of a sham. As a result, he risks becoming detached. In the view of Gleb Pavlovsky, a political analyst and former adviser to Mr Putin, Russia’s leaders are like pilots flying in heavy turbulence with the cockpit dials all painted over.
What a take! Like: democracy is meaningful mainly as a source of information for dictatorial technomanagers!
Wonder if I would’ve been smarter if instead of classes in college I read this magazine cover to cover every week, as Bill Gates says he does.