Went back to watch one of my all time favorites. Read more about Valparaiso in my book!
Willie Nelson in Vulture. And:
I read that you and Snoop Dogg were doing a new song. Is he also a fan of Willie’s Reserve?
Oh yeah. I was over in Amsterdam one time and I called him. I said, “Come on, Snoop. This is where you and me need to be.” We had a heck of a good time.
Pickett’s Charge: A microhistory of the final attack at Gettysburg, July 3, 1863 by George R. StewartPosted: July 3, 2020
Forget where I came across a mention of George R. Stewart’s microhistory of Pickett’s Charge. could’ve been anywhere. The idea of a microhistory intrigued so I got a used copy.
How about the career of George R. Stewart? Man: An Autobiography. Genius.
If we grant – as many would be ready to do – that the Civil War furnishes the great dramatic episode of the history of the United States, and that Gettysburg provides the climax of the war, then the climax of the climax, the central moment of our history, must be Pickett’s Charge.
Thus to hold, indeed, is not to maintain that a different result, there by the clump of trees and the angle in the stone wall, would of itself have reversed the course of the war and decisively altered history.
Stewart takes you there, to the clump of trees and the angle in the stone wall. If you want to know where Hancock was at approximately 3:30 pm that day, and from where Longstreet watched what he knew was likely a doomed advance, this is the book for you.
The task at hand is to make sense out of what must’ve been absolute insanity, deafening, smoky confusion for the participants. Consider the 19th Massachusetts, around 3:50 pm:
The men were jammed in to an average of six deep. When a man had loaded, he pushed his way to the front to fire. Sometimes he had to doge around to get a place through which to point his musket, and in the confusion men might be shot from the rear. With men firing from everywhere the noise of the discharges was deafening.
Sometimes the lines even surged together, and there was a sudden swinging of clubbed muskets. In one of these encounters, Private De Castro of the 19th knocked down the color-bearer of the 14th Virginia, he himself using the staff of the Massachusetts state colors as a club. He seized the Virginia flag, brought it back, and thrust it into the hands of his colonel.
Some of the events seem almost mystical to the modern reader. The wounded Confederate general Armistead falls at the Union lines:
Armistead had been heard, in some lull of the musketry, calling for help, “as the son of a widow.” This we must take to be the code of some secret society; at least, the words gained immediate response. Some of the men of the 72nd Pennsylvania requested permission of their officer to go to his aid, and carried him behind the Union lines.
As a wounded general, even though of the wrong side, he was granted much attention and every courtesy. A surgeon, Henry H. Bingham, soon arrived, but could only inform Armistead that he was dying. Bingham promised to deliver any personal effects that the general might desire forwarded to his family.
Armistead was, according to Bingham, a man “seriously wounded, completely exhausted, and seemingly broken spirited.” The words that he then spoke were destined to become a small storm-center of controversy: “Say to General Hancock for me, that I have done him, and you all, a grievous injury, which I shall always regret.” He was then carried to the hospital.
Attitudes were at play which seem hard for us to access. Stewart:
Horrors there were in plenty – men struck in the eyes, through the intestines, in the genitals. Men were carried away maimed for life, and at least one wounded man drew his revolver and shot himself. But to write of Gettysburg in terms of the Somme or of Monte Cassino would be a painful falsification of history. Nothing is more striking in the sources generally than the absence of gloom. The armies suffered casualties such as few modern armies have endured, but the men did not seem to feel sorry for themselves. Did some primitive spirit of combat sustain them? Or a romantic sense of glory? Or an intense patriotism? Or was it a more imminent hint of immortality, as when a private of Brown’s battery died in a religious ecstasy?
One of Stewart’s great sources is the records of a trial, twenty-five years after the battle, which resulted from a dispute between the Gettysburg Battlefield Memorial Association and the Survivors’ Association of the 72nd Pennsylvania about where on the battlefield they were permitted to put their statue:
Some of the testimony is of a remarkable poignancy, even though the heat of battle was so many years in the past. We have the boiling over of pride in the regiment:
Q. Did you see any Massachusetts or New York regiment come down and run over the Seventy-second?
A. I would like to see somebody say so! I would like to meet the man who said it!
We have the vivid personal memory:
Q. Where did you find the bodies in the angle; I mean of the Seventy-second people in the angle?
A. The most I can remember was one by the name of Metz belonging to my company – him and me were great chums – and he fell across the stone wall. He fell crossways across the stone wall.
As for Pickett himself?
He himself realized that his conduct during the afternoon had been such that he would be accused of cowardice . . . His career really ended at Five Forks, April 1, 1865, when he again lost most of his division. On this occasion, while his men were being crushed, Pickett was behind the lines and out of touch, enjoying a shad-bake. These were the last days of the war, and the scandal was somewhat hushed up. But Pickett thereafter had only some fragmentary regiments, and he was relieved of his command the day before the surrender. Lee, seeing him at Appomattox, remarked, “I thought that man was no longer with the army.”
(Should we rename the fort named after this guy?)
You needn’t bother adding this volume to your library unless you’re a fairly serious student of the battle, but it’s impressive to observe Stewart’s achievement, and to think on these events.
If I have a criticism of this book it’s that Stewart is so entertaining he can make all this seem like sort of just a violent field day. To clear up that impression real fast, one can look at any of a number of grim photographs Timothy O’Sullivan took that day, and after, photographs which still shock. This one, “Dead Horses of Bigelow’s Battery,” for instance.
How Lee took the devastating day:
Summoned to receive orders, [General John D. Imboden] found the commander so exhausted that he could scarcely dismount from his horse. Shocked by this weariness and by the sadness of the face, Imboden ventured to remark, when Lee stood silent, “General, this has been a hard day on you.”
Lee looked up, and then spoke mournfully, “Yes, it has been a sad, sad day to us.” After another lingering silence, Lee commented on the gallantry of Pickett’s men, and then after another pause, he cried out, in a loud voice, in a tone almost of agony, “Too bad! Too bad! Oh! TOO BAD!”
In the Moscow Art Theatre, in Tel Aviv in the Habimah, productions have been kept going for forty years or more: I have seen a faithful revival of Vakhtangov’s twenties’ staging of Princess Turandot; I have seen Stranislavsky’s own work, perfectly preserved: but none of these had more than antiquarian interest, none had the vitality of new invention. At Stratford where we worry that we don’t play our repertoire long enough to milk its full box office value, we now discss this quite empirically: about five years, we agree, is the most a particular staging can live. It is not only the hair-styles, costumes and make-up that look dated. All the different elements of staging – the shorthands of behaviour that stand for certain emotions; gestures, gesticulations and tones of voice – are all fluctuating on an invisible stock exchange all the time. Life is moving, influences are playing on actor and audience, and other plays, other arts, the cinema, television, current events, join in the constant rewriting of history and the amending of the daily truth. In fashion houses someone will thump a table and say “boots are definitely in”: this is an existential fact. A living theatre that thinks it can stand aloof from anything so trivial as fashion will wilt. In the theatre, every form once born is mortal; every form must be reconceived, and its new conception will bear the marks of all the influences that surround it. In this sense, the theatre is relativity. Yet a great theatre is not a fashion house; perpetual elements do recur and certain fundamental issues underlie all dramatic activity. The deadly trap is to divide the eternal truths from the superficial variations; this is a subtle form of snobbery and it is fatal.
This made me hmmm as I consider what to think about the exiling of comedy now felt to be unacceptably hurtful.
Sunday morning four weeks ago on the streets of the Beverly – Fairfax district was a bonanza for us collectors of non-lethal shells and projectiles.
The Honus Wagner card of this kind of collection is the LAPD stamped bean bag shell
A key guide for the hobbyist is the LAPD’s equipment page.
I hope I don’t have any more opportunities to add to my collection.
(Always remember the scene in The Last Castle (2001) where James Gandolfini, a military history buff, hears Redford, a real veteran, assess his collection of Civil War bullets and Minié balls: “it’s just something that caused some poor bastard a whole lotta pain.”
Couple real good scenes in that movie. When Redford teaches Ruffalo the meaning of a salute!)
Every time I’m in Las Vegas I pass through the sports book and pick up a few racing sheets. I’ve never been able to make much out of them, but the life of the full-time degenerate who’s eating a hot dog and watching the 3rd at Gulfstream or Louisiana Downs is somehow attractive. Why is that? What is it about this that’s appealing? The songs and legends are part of it, for sure. I’ve always found sitting in the stands at Santa Anita an appealing afternoon. Less so since news of the frequent horse deaths.
Santa Anita is running right now, without spectators.
“I love to go back to Paris,” Hemingway said, his eyes still fixed on the road. “Am going in the back door and have no interviews and no publicity and never get a haircut, like in the old days. Want to go to cafés where I know no one but one waiter and his replacement, see all the new pictures and the old ones, go to the bike races and the fights, and see the new riders and fighters. Find good, cheap restaurants where you can keep your own napkin. Walk over all the town and see where we made our mistakes and where we had our few bright ideas. And learn the form and try and pick winners in the blue, smoky afternoons, and then go out the next day to play them at Auteuil and Enghien.”
“Papa is a good handicapper,” Mrs. Hemingway said.
“When I know the form,” he said.
How do you “learn the form”?
I chanced recently across this academic paper, Sports Betting As a New Asset Class, by Lovjit Thukral and Pedro Vergel. It addresses the possible money-making potential of a strategy of “laying the favorite.”
The authors take a simple betting strategy based on Horse races in the UK and invest consistently on laying (betting on the event not to occur) the 4 favourite horses (with the lowest odds) in each race. They find the following:
(1) this type of horse racing strategy provide uncorrelated returns to the market;
(2) the strategy outperforms the Credit Suisse Hedge fund Index and S&P 500 Total returns on average for the last 6 years.
Can this be so? A quick investigation reveals that “laying the favorite” in this way doesn’t seem to be a commonplace option in US horse betting. I don’t think this strategy would be financially viable here.
This talk of laying favorites reminded me of my friend Beth Raymer’s book, Lay The Favorite: A Memoir of Gambling.
The book was made into a 2012 film starring Bruce Willis and Catherine Zeta-Jones.
In the book, Raymer describes learning from the professional gambler and line-setter Dink:
Studying to find value — into it! I resolved to learn how to read a Racing Form, and try to glean some information from it that might give an edge.
Using the very helpful resources provided by the late Neil Benoit’s Getting Out Of The Gate website, which has a Racing 101-401 course, I was able to grasp the basics. This resource at Art of Manliness was also quite helpful, and there’s a Wikihow about racing forms, but it’s Benoit who really gave us a gift.
I’d like to try and summarize my learnings for you, to save you the time in case you’re interested, and because the easiest way to really learn something is to try and teach it.
Let’s take as our example the first horse, Route Six Six, in the 7th race tomorrow (Saturday, June 20) at Santa Anita.
Up top we’ve got some basic info about the horse, like who owns her (f=filly), and her mom (Dam) and dad (Sire).
Personally, and this is based on zero study, but I suspect there’s all together too much focus on breeding in horses. It feels distracting and possibly irrelevant, like when the old-time scouts in Moneyball are focused on how hot a player’s girlfriend is. It just feels old-fashioned and unstatistical. But then again, since I haven’t run any statistical studies, this belief of mine is based on zero evidence as well.
You know what I want to find out from a racing form? One thing. How fast is this horse?
1) elimination of horses that seem unsuited to the distance of the race2) elimination of horses that do not seem in sufficiently sharp condition3) elimination of horses that seem outclassed4) elimination of horses at a serious disadvantage on today’s footing or in light of track biases
Beyer figures are a whole thing
Beyer took a stack of old Daily Racing Forms and did the laborious math by hand, sifting through years of data, applying the analytical skills he had developed as a games-playing child. “‘Six furlongs in 1:13 equals seven furlongs in 1:26 and a fifth’ was my E=MC2,” Beyer says, laughing. By 1972 he had managed to construct a reliable speed chart that incorporated the important element of track variance, a measure of track speed and bias, which was previously calculated by an antiquated–and, in most cases, inaccurate–system. Beyer devised a highly specific, sophisticated method for determining track variances, a method that accounted for the times turned in by different types of horses.
By combining his newly minted speed ratings with his fresh perspective on track speed, the young columnist invented the Beyer Speed Figures.
Interestingly, Beyer come up with his numbers specifically because so much of racing thinking at that time was centered around class:
“The orthodoxy back then said that ‘class’ was the measure of a race,” Beyer says, while making hieroglyphic notations in the margins of his race program. “For instance, if a $10,000 claimer was running against a slower $200,000 claimer, the assumption was that the slower but ‘classier’ horse would win. I was looking for a way to verify–or contradict–that assumption.”
Don’t bet the horse, bet the jockey
Readers, I just idly checked out the 9th race at Belmont today, the Jaipur. Will be televised on NBC. I noticed Hidden Scroll, a very fast horse, had something aberrant in his last race:
What’s that about? Here we see the pleasures and oddness of the Racing Form as compressed storytelling:
Luckily in this glorious age of YouTube what Hidden Scroll did in his last race, this might be the craziest thing in a horse race I’ve ever seen:
Motherfucking horse nearly broke his own neck, lost his jockey, and still almost won! He’ll have the same jockey (JR Velazquez) today! That should be a very interesting race.
Today. Bloom sees a walking advertisement for his former employer:
A procession of whitesmocked men marched slowly towards him along the gutter, scarlet sashes across their boards. Bargains. Like that priest they are this morning: we have sinned: we have suffered. He read the scarlet letters on their five tall white hats: H. E. L. Y. S. Wisdom Hely’s. Y lagging behind drew a chunk of bread from under his foreboard, crammed it into his mouth and munched as he walked. Our staple food. Three bob a day, walking along the gutters, street after street. Just keep skin and bone together, bread and skilly. They are not Boyl: no: M’Glade’s men. Doesn’t bring in any business either. I suggested to him about a transparent show cart with two smart girls sitting inside writing letters, copybooks, envelopes, blotting paper. I bet that would have caught on. Smart girls writing something catch the eye at once. Everyone dying to know what she’s writing.
At swimming pools at hotels and apartment complexes here in California you’ll see this sign. Sometimes it causes quite a stir from people who’ve never seen it before, as it does summon up some graphic imagery, and violates the traditional taboo on not printing the word “diarrhea” on large public signs.
I’ve been pondering this sign for years. It’s not a choice to put it up. The uniform wording and ubiquity suggests there must be a rule. So that means there must’ve been some kind of meeting at a regulatory agency or the legislature where they discussed the diarrhea danger, and agreed to the diarrhea sign rule. Sometimes I’ve idly wondered if the sign were some kind of prank on pool owners, to force them to make all lucky pool users ponder the word “diarrhea” Did a bureaucrat harboring long-felt resentment against pool enjoyers push this through? Punishment for exclusion from a pool party, years ago?
Well, finally I decided to look into it, and quickly found the answer, in this Conejo Valley Guide post, “What’s The Deal With All of Those Signs Posted At The Swimming Pool.”
The requirement for this and other community pool signs comes from California Building Code Chapter 31B “Public Pools,” Section 3120B “Required Signs.”
Section 3120B.11 “Diarrhea” indicates the sign must have letters at least 1 inch high, clearly states what is noted above, and is posted at the entrance area of a public pool. Public pools include municipal/park district pools, hotel pools, water parks, swim schools, homeowner shared pools, apartment pools, campground pools, etc. One is thus not required to post this sign at your home pool (unless you really want to).
As the post notes, there have been outbreaks of waterborne disease from pools.
I’m inclined to give some benefit to common sense in the case of pool diarrhea. I think the California Building Code may have gone too far, living up to California’s reputation as a bit of a ninny when it comes to regulations. From a brief review, it seems like localities could make local amendments to the building code, and make themselves diarrhea-sign free zones. I would support that in my neighborhood. But it’s work to do that, and we can agree it’s not the most pressing problem.
What about the 14 days part? Must our language always be so bureaucratic? Do we just need a simpler sign that says: Be Cool About The Pool? Should the sign also be in Spanish?
Do we have a case study here in how rules, once made, tend to stay just through inertia? Is this a case of an annoying nanny state, or a reasonable public health measure? I suppose if it gives an occasional chuckle and a helpful reminder, it’s not so bad. Just a bit of local color.
Healy was born in Boston, Massachusetts. He was the eldest of five children of an Irish captain in the merchant marine. Having been left fatherless at a young age, Healy helped to support his mother. At sixteen years of age he began drawing, and at developed an ambition to be an artist. Jane Stuart, daughter of Gilbert Stuart, aided him, loaning him a Guido’s “Ecce Homo”, which he copied in color and sold to a country priest. Later, she introduced him to Thomas Sully, by whose advice Healy profited, and gratefully repaid Sully in the days of the latter’s adversity.
so far as I know no relation, there are plenty of Healys and Helys from here to Australia.
He painted Tyler
and drew Grant.
He’s got a few that have appeared in the White House, like this one, The Peacemakers.
or something more? Let’s get a more detailed atlas…
Lotta shakin’ and quakin’ going on at Naval Weapons Center China Lake (Restricted Area).
I’m prepared to conclude this was no earthquake, but the escape or an attempted escape of a captured UFO.
Interesting thing about this area: though desolate it’s dotted with petroglyphs, some alleged to be 10,000 years old.
Interested in the Goya drawing, in his series Los Desastres de la Guerra, where his only commentary is “yo lo vi.” I saw it. What else is there to say sometimes?
stolen from behind a Harper’s paywall and presented to you, the Helytimes reader.
Wired: Sir John Templeton
(Inspired: Charlie Munger)
I’m doing it. I’m publishing a semi-regular digest of The Economist, as least during quar and semi-quar times. This is a public service I can provide with joy. So rare to find those opportunities, we must seize them.
Truly, only about one in four issues of The Economist really sinks in with me. More than that, well, it’s just too much information! The problem of our times. I don’t know how editor Zaddy Bellowes does it! Can she really read this whole thing, every week? And truly comprehend it?
Same Q for David Remnick of The New Yorker. What a run! A pretty good magazine, every single week!
From this week we learn:
- Mexico’s President, AMLO, truly loves PEMEX, the state oil company.
Instead, he finds beauty in oil wells. He is openly nostalgic for the days when Pemex, the state oil company, was the engine of Mexico’s prosperity… he has promised $15 billion worth of aid to the company.
Worth noting that an oil company like Exxon Mobil is competing with the force of entire nations. $15 billion extra to PEMEX, how much is that by comparison? Well Exxon spends about $240 billion in a year. So not a drop in the bucket, exactly, but not nothing.
- How about this?
“He is a pleasant man who, without any important qualifications for the office, would very much like to be president.”
Joe Biden? No, FDR, to whom Lexington compares the former VP in their column. That description from an unnamed contemporary commentator.
“It’s striking how much time Joe is devoting to governing,” says Senator Chris Coons of Delaware, a Biden confident.
Really? What does that even mean? I saw Joe Biden on a fundraising Zoom the other day, he was chilling out in what looked like his living room. The Economist seems bullish on Joe, who’s having a good pandemic.
- from a piece about increased efficiency in solar panels (buy desert real estate, people!)
The amount of energy in artificial lighting is vastly less than that in sunshine. Nevertheless, dr. Brown and Dr. Fahlteich have found, according to a paper they published this month in Cell Reports Physical Science, that their cells can achieve a conversion efficiency of up to 22.6%, thereby producing enough juice to run small, low-power devices like wireless sensors and remote-control units, which would otherwise require batteries.
Though it may seem odd to turn artificial, indoor lighting into electrify, given that it has been created from electricity in the first place, the truth is that all such light which does not end up entering a human eye is wasted.
- Israel. I’ve saved a lot of time in my life by just staying out of arguments about Israel. What could I possibly offer? Look at the complexity of this map:
Consider the size of what we’re looking at here when compared to, say, LA:
- and finally, from an obituary for Little Richard:
“Goog Golly Miss Molly” was something is old toothless Aunt Lulu said when they put marijuana in her tobacco pipe
Because anybody can publish and sell texts that are in the public domain, lots of crap publishers flood Amazon with cheaply printed paperbacks of the classics. These editions are flimsy, often with odd shapes and ugly typefaces. If you’re serious about reading a book, it’s worth it, in my opinion, to pay up for the Penguin edition. (This is especially true of translations, I learned this the hard way when I bought the Dover Thrift version of Chekhov’s The Seagull in college, which seemed like it had been translated by an ape).
The snakes over at Carousel Books, knowing this, deliberately made their cover look like a Penguin classic! Very sneaky, Carousel. Look close at the cover, you can see the degraded quality of the image, the shape is all off. It sucks!
Maybe it’s my fault for imagining Penguin, publishers of Morrissey, would include a clown like Chesterton in their ranks.
A medical expert once described the difficulty of surgery on the liver, a soft, fragile organ that can shred in your hands and rip with every stitch. The heart is a hard lump of muscle, but the liver is delicate spongy tissue. Manhattan is a rocky island, San Francisco is as solid and situation at the end of a long peninsula; those cities are as clearly defined as a fist or a heart. But think of New Orleans as a liver, an expanse of soggy land doing some of what a liver does, filtering poisons, keeping the body going, necessary to survival and infinitely fragile, hard to pull out of context, and nowadays deteriorating from more poison that it can absorb, including the ongoing toxins of the petroleum industry and the colossal overdose delivered by the 2010 BP blowout.
The first thing you notice about New Orleans are the burying grounds – the cemeteries – and they’re a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay – ghosts of women and men who have sinned and who’ve died and are now living in tombs. The past doesn’t pass away so quickly here.
You could be dead for a long time
so says Bob Dylan in Chronicles.
New Orleans is illogical, upsetting. It makes a mockery. You start in Chicago, sensible enough, but float down the river and you end in African jungle, a Caribbean outpost of a forgotten empire, ruled by French pretension – but pretending to what, exactly? No matter, it’s already forgotten. What the jazz player and the performing drunk act and the crooked politician all act out is the tension: this shouldn’t be here.
Vivien Kent in The Fatback of America (1948, is she cancelled?)
The minute you land in New Orleans, something wet and dark leaps on you and starts humping you like a swamp dog in heat, and the only way to get that aspect of New Orleans off you is to eat it off. That means beignets and crayfish bisque and jambalaya, it means shrimp remoulade, pecan pie, and red beans with rice, it means elegant pompano au papillote, funky file z’herbes, and raw oysters by the dozen, it means grillades for breakfast, a po’ boy with chowchow at bedtime, and tubs of gumbo in between. It is not unusual for a visitor to the city to gain fifteen pounds in a week–yet the alternative is a whole lot worse. If you don’t eat day and night, if you don’t constantly funnel the indigenous flavors into your bloodstream, then the mystery beast will go right on humping you, and you will feel its sordid presence rubbing against you long after you have left town. In fact, like any sex offender, it can leave permanent psychological scars.
Tom Robbins in Jitterbug Perfume
Did not complete my reading of that book — it was too dense! Every page was packed! Every bite was sausage and spice, there was no rice.
In addition to the Atlas I had this one:
Books are good for getting ideas, but no information set in as permanent a form as a book should be trusted when it comes to New Orleans. Whether it’s open, what night is good, intel of that nature must be gathered with by asking somebody, or a phone call, or maybe best of all by walking by.
One of these books gave us the notion to take the ferry to Algiers from the foot of Canal Street. The book claimed it was free, I believe it was $2.50. Small price to pay to be out on the river.
This book is just wonderful, I can’t recommend it enough. What gifts Lee Sandlin left the world! Lee begins his book by talking about how, when he waits for the bus in Chicago, the water under the grate at his feet is on its way to the Mississippi River, and on down to New Orleans. This book has it all: Mike Fink, the New Madrid Great Shakes, the siege of Vicksburg. And my God if he doesn’t make you feel like you’re really in Congo Square, or at one of the true Mardi Gras nights, a candlelight carnival, when the wildness could turn deadly, when they really thought they might summon the dead or the devil or worse. I keep meaning to devote a longer post to Wicked River, but I shouldn’t miss this chance to recommend it.
New Orleans, populationwise, at 391,006, is about the size of Bakersfield, significantly smaller than Fresno. Just a hair ahead of Wichita, Kansas.
One idea I really got out of the Snedeker Solnit Atlas is New Orleans as part of the Caribbean. Bananas were shipped through here. United Fruit Company, it was going down. District Attorney Jim Garrison may have been off but he was not wrong to smell conspiracy everywhere.
There actually used to be an overnight ferry between here and Havana. The mambo figures prominantly in New Orleans piano. Professor Longhair. It’s the Cuba Connection.
Steve Zahn’s character says in Tremé. It was really funny in Treme to have a character whose main quality was how annoying he was about being “into” New Orleans. If you’re really “into” New Orleans, does that not by itself prove that you don’t get it? Is that all part of the joke?
Re: the banana connection, The Atlas had me go listen to Lil Wayne’s Six Foot Seven Foot.
Life is a bitch and Death is her sister
Sleep is the cousin what a fuckin’ family picture
This time last year I was in New Orleans. From The Atlas we learn of the Money Wasters second line. The WWOZ website confirms the date and a route for the parade, ending Under The 10, in the epic sonic canyon created by the concrete freeway overpass that takes I-10 across the city on its way to Los Angeles and Jacksonville, Florida. What a time! What a place! When will we feel that free again?
A guy at the second line said to me
if it’s Sunday in New Orleans and you ain’t at the second line you’re either stupid or dumb
When the wind is right it’s said you can see a dead body in the ruins of the Hard Rock Hotel. A living ghost story: how New Orleans is that?
I’ve been thinking about New Orleans, and listening to WWOZ.
from the WSJ’s obituary of James Sherwood (paywall, prob’ly)
His work with cargoes in France and England exposed Mr. Sherwood to the inefficiencies of loading goods at docks with rigid union work rules. That experience made him an early convert to the use of standardized steel containers, which could be loaded elsewhere and delivered to docks by train or truck.
In 1965, he founded London-based Sea Containers to buy containers and lease them to companies moving goods. His initial investment of $25,000 gave him a 50% stake. When the company went public in the late 1960s, he was suddenly rich, “free to move my life forward any way I wanted,” as he later put it.
Though I’ve thought much and even written about containerization, I never fully considered the union busting aspect.
Containerization is incredible. That such a simple idea – use a standardized box – took so long to come up with. That is was willed into reality by one man. The amount that it changed the world. Every port city in the world was changed. The ports became charmless factory zones. No more On The Waterfront. Walmart could not exist without containerization. The relationship of the United States and China is formed by what containerization did to shipping. We send them empty boxes, they send us full boxes.
Must relocate my copy!
is the Food Pyramid the greatest conspiracy of all time?
This was EVERYWHERE when I was a kid, firmer and more common than the Ten Commandments.
I’m sure there’s a podcast about it, or a Slate piece.
Maybe my new thing will be “mild conspiracy theories” (the conspiracies themselves will be mild, not the theories. The theories will be wild).
Once I was in Yellowknife in the Northwest Territories of Canada doing a ridealong with the Royal Canadian Mounted Police. In Yellowknife in the winter the sun comes up at 10am and goes down again by 3:15pm. It’s dark and cold and tough to get through the winter. But the Mountie sergeant told me the problems happen when spring starts. It’s the coming out that people can’t handle.
It’s my perception here in southern California that people are beginning to re-enter the world. Traffic is returning to upsetting levels. We’re still a long way from where we were, most stores are shut down, but I get the sense people consider themselves done with lockdown.
I wonder if coming out of quarantine will be harder or at least crazier than being in it!