Reading up on some Disney animators and writers.
Ken Anderson, one of the credited screenwriters for The Rescuers, Aristocats, The Jungle Book, and Cinderella, was (wikipedia tells me) “particularly influenced” by his University of Washington architecture professor, Lionel Pries.
Lionel Pries designed the Andalucia building in Santa Barbara:
Here’s a house he designed for himself:
“He used affordable modern materials — concrete, concrete block and cement-asbestos board.”
Here’s another house Pries designed, in the Laurelhurst neighborhood of Seattle:
Pries was gay, but deeply closeted in the University of Washington community. He anticipated teaching at least until he reached retirement age, but was forced to resign his university position in 1958 after he was picked up in a vice sting in Los Angeles. The reason for Pries’s abrupt departure from the university was concealed at the time.
Pries worked as a drafter until he was able to retire in 1964, then lived quietly until his death in 1968.
(Pries photo is credited to Dorothy Conway and the Pries Collection, Special Collection, UW Libraries, Pries house photo to Charles R. Pierson from the same collection, Laurelhurst house photo “courtesy Max and Helen Gurvitch, and I got them all from this Seattle Times article by Laurence Kriesman.)
The Green Cathedral or De Groene Kathedraal located near Almere Netherlands, is an artistic planting of Lombardy poplars (Populus nigra italica) that mimics the size and shape of the Cathedral of Notre-Dame, Reims, France….The work was planted by Marinus Boezem (b. 1934) on April 16, 1987 in Southern Flevoland, Nederland.
While walking there I assume you should listen to Guillaume de Machaut’s Messe de Notre Dame (1360s), composed for the cathedral at Reims (which isn’t too shabby in stone either).
Machaut survived the Black Death which devastated Europe, and spent his later years living in Rheims composing and supervising the creation of his complete-works manuscripts. His poem Le voir dit(probably 1361–1365) purports to recount a late love affair with a 19-year-old girl, Péronne d’Armentières, although the accuracy of the work as autobiography is contested.
Pictures from wikipedia and from inhabit.com