As Zinoman puts it, “His smirking tone was so consistently knowing that he seemed as if he must know something.” This was an attitude fit for the cynical mood of the 1980s, and Zinoman emphasizes Letterman’s significance as an avatar of cool noncommitment, a figure of his time. In that, Letterman resembled that other pop-cultural phenomenon of the era, Jim Davis’s Garfield – the rotund cartoon feline also riven by self-doubt and haunted by grandiose fantasies of domination while projecting an aloofness that often verged on the cruel.
from Naomi Fry’s review of Jason Zinoman’s Letterman: The Last Giant of Late Night in the Summer 2017 issue of BookForum. (A little behind on my Bookforum).
If you found a note on a scrap of paper in my house that said “Maybe I can stop masturbating” on it I promise it was related to an upcoming work of television comedy.
Enjoy VEEP on Sundays at 10:30pm and then on HBO Go forever!
If you enjoy Ed Harris in Westworld, as I do, you may be curious to have a look at his role in Walker (1987) in which he plays a similarly attired character:
Harris plays the real life William Walker who went down to Nicaragua with some armed guys and declared himself president there from 1856-1857.
I went down to Nicaragua and visited some of the places Walker shot up.
I tell the story of Walker, and of Nicaragua, and of the troubled film
The order in which they were made?
Emily Nussbaum is very smart and a good TV critic, chipple on all that, but this bugged me:
First of all, are we sure we’re not watching the gayest male bachelor party of all time?
Plus, this knock on the show seems to me to go against one of Updike’s rules of (book) fair reviewing:
Do not imagine yourself a caretaker of any tradition, an enforcer of any party standards, a warrior in an idealogical battle, a corrections officer of any kind.
Sometimes I wonder if all criticism should begin with a little creed or prayer like: creating something like Westworld is such an incredible miracle combination of talent, craft, imagination, vision, perseverance, and courage. To think of the efforts of hundreds that go into creating a single frame of this show is humbling. BUUUUT:
Some strong feelings about critics are expressed by the fictional narrator of this book.
Me, I appreciate critics, really enjoy Emily Nussbaum, and respect a take!
from Wiki as I prep a Halloween costume.
In real life more going for Robin Masters, “the celebrated-but-never-seen author of several dozen lurid novels.”
A recurrent theme throughout the last two seasons, starting in the episode “Paper War”, involves Magnum’s sneaking suspicion that Higgins is actually Robin Masters since he opens Robin’s mail, calls Robin’s Ferrari “his car”, etc. This suspicion is never proved or disproved, although in at least one episode – “Déjà-Vu” S06E02 – Higgins is shown alone in a room, picking up the ringing phone and talking to Robin Masters, indicating they are two different persons.