Dick Wolf
Posted: June 26, 2012 Filed under: TV, writing Leave a commentMany amazing things in this book:

I have to thank the Chennai office for recommending it. Two of the more amazing quotes come from Dick Wolf:
Dick Wolf: Most dramas make my skin itch because they give you personal stuff with a soup ladle. When you go into work and look around your office, how many of your colleagues’ apartments have you been in? Ours is a workplace show. All we’re interested in is what happens in the eight or ten hours when the characters are actually at work.
There’s also no time. That’s why there are no establishing shots, no driving shots, no people walking into buildings. Each half of the show is the equivalent to a normal hour cop show or legal show. You’re essentially doing an hour’s worth of content in half the time.
I grew up on N. Y. P. D., the original, and Naked City. Naked City is much more the prototype for Law & Order than anything else on TV. The best pictures about conflict are the ones that almost look like news. Like The Battle of Algiers.
Later, Dick Wolf weighs in on the contractual disputes at Friends. The Friends cast all banded together to negotiate their contracts, and the result was they got huge amounts of money. Dick Wolf would’ve handled it differently:
Dick Wolf: When they made the Friends deal, the $100,000 apiece [per episode] deal, I was pretty upset. What I would have done was come out the first day, say I was disappointed the cast had chosen to negotiate in the press, and I had the unpleasant news that Matt LeBlanc wouldn’t be on the show next year. I guarantee that you’d never have gotten to a second name.
More from amazing John Muir
Posted: June 25, 2012 Filed under: adventures, New England, writing Leave a comment
Of the people of the States that I have now passed, I best like the Georgians. They have charming manners, and their dwellings are mostly larger and better than those of adjacent States. However costly or ornamental their homes or their manners, they do not, like those of the New Englander, appear as the fruits of intense painful sacrifice and training, but are entirely divested of artificial weights and measures, and seem to pervade and twine about their characters as spontaneous growths with the durability and charm of living nature.
In particular, Georgians, even the commonest, have a most charmingly cordial way of saying to strangers, as they proceed on their journey, “I wish you well, sir.”
Movie review found on Google News
Posted: June 24, 2012 Filed under: writing Leave a commentPixar’s ‘Brave’ has fine heroine, functional story
Baton Practice at the Manzanar War Relocation Center, 1943
Posted: June 21, 2012 Filed under: California, photography Leave a comment
Ansel Adams, the original king of US 395.
School’d
Posted: June 20, 2012 Filed under: adventures, writing Leave a commentIn 1867, 29 year old John Muir decided to walk from Indiana to the Gulf of Mexico, making botanical observations. In the Cumberland Mountains of Tennessee, he knocks on the door of a farmhouse:
My knock on the door was answered by a bright, good-natured, good-looking little woman, who in reply to my request for a night’s lodging and food, said “Oh, I guess so. I think you can stay. Come in and I’ll call my husband.” “But I must first warn you,” I said, “that I have nothing smaller to offer you than a five-dollar bill for my entertainment. I don’t want you to think that I am trying to impose on your hospitality.”
She then called her husband, a blacksmith, who was at work at his forge. He came out, hammer in hand, bare-breasted, sweaty, begrimed, and covered with shaggy black hair. In reply to his wife’s statement, that this young man wished to stop over night, he quickly replied, “That’s all right; tell him to go into the house.” He was turning to go back to his shop, when his wife added, “But he says he hasn’t any change to pay. He has nothing smaller than a five-dollar bill.” Hesitating only a moment, he turned on his heel and said, “Tell him to go into the house. A man that comes right out like that beforehand is welcome to eat my bread.”
When he came in after his hard day’s work and sat down to dinner, he solemnly asked a blessing on the frugal meal, consisting solely of corn bread and bacon. Then, looking across the table at me, he said, “Young man, what are you doing down here?” I replied that I was looking at plants. “Plants? What kind of plants?” I said, “Oh, all kinds; grass, weeds, flowers, trees, mosses, ferns – almost everything that grows is interesting to me.”
“Well, young man,” he queried, “you mean to say that you are not employed by the Government on some private business?” “No, I said, “I am not employed by any one except just myself. I love all kinds of plants, and I came down here to these Southern States to get acquainted with as many of them as possible.”
“You look like a strong-minded man,” he replied, “and surely you are able to do something better than wander over the country and look at weeds and blossoms. These are hard times, and real work is required of every man that is able. Picking up blossoms doesn’t seem to be a man’s work at all in any kind of times.”
To this I replied, “You are a believer in the Bible, are you not?” “Oh, yes.” “Well, you know Solomon was a strong-minded man, and he is generally believed to have been the very wisest man the world ever saw, and yet he considered it was worth while to study plants; not only to go and pick them up as I am doing, but to study them; and you know we are told that he wrote a book about plants, not only of the great cedars of Lebanon, but of little bits of things growing in the cracks of the walls.
“Therefore, you see that Solomon differed very much more from you than from me in this matter. I’ll warrant you he had many a long ramble in the mountains of Judea, and had he been a Yankee he would likely have visited every weed in the land. And again, do you not remember that Christ told his disciples to ‘consider the lilies how they grow,’ and compared their beauty with Solomon in all his glory? Now, whose advice am I to take, yours or Christ’s? Christ says, ‘Consider the lilies.’ You say, ‘Don’t consider them. It isn’t worth while for any strong-minded man.'”
What do you think happens next?
a) The blacksmith beats up John Muir
or
b) “This evidently satisfied him, and he acknowledged that he had never thought of blossoms in that way before.”
“Bad Poems By Good Poets”
Posted: June 19, 2012 Filed under: music Leave a commentis an interesting anthology published in 1957. Copies are SUPER hard to find, I bought mine at the Needham Public Library’s Used Book Sale for 50 cents. Some of them are definitely debatable (the Yeats one seems fine, the T. S. Eliot one is a little mean-spirited because he wrote it when he was 10) but some of the guys (they’re all guys) like Frost looked pretty clowned on.
Hey, at least they swung for it, right? In the Frost one, too, you’re still like, “well, he’s still Robert Frost, you know? I’ll give him a pass on this one.”
Anyway, on that subject:
Mrs. Schuyler Burning Her Wheat Fields On The Approach Of The British, 1852
Posted: June 11, 2012 Filed under: painting Leave a comment
Emmanuel Gottlieb Leutze. That one’s over at LACMA.
June 6
Posted: June 6, 2012 Filed under: history Leave a comment
Good day to reread this article, “The Real War 1939-1945” by the late Paul Fussell.
One wartime moment not at all vile occurred on June 5, 1944, when Dwight Eisenhower, entirely alone and for the moment disjunct from his publicity apparatus, changed the passive voice to active in the penciled statement he wrote out to have ready when the invasion was repulsed, his troops torn apart for nothing, his planes ripped and smashed to no end, his warships sunk, his reputation blasted: “Our landings in the Cherbourg-Havre area have failed to gain a satisfactory foothold and I have withdrawn the troops.” Originally he wrote, “the troops have been withdrawn,” as if by some distant, anonymous agency instead of by an identifiable man making all-but-impossible decisions. Having ventured this bold revision, and secure in his painful acceptance of full personal accountability, he was able to proceed unevasively with “My decision to attack at this time and place was based on the best information available.” Then, after the conventional “credit,” distributed equally to “the troops, the air, and the navy,” came Eisenhower’s noble acceptance of total personal responsibility: “If any blame or fault attaches to the attempt, it is mine alone.” As Mailer says, you use the word shit so that you can use the wordnoble, and you refuse to ignore the stupidity and barbarism and ignobility and poltroonery and filth of the real war so that it is mine alone can flash out, a bright signal in a dark time.
Wanderer Above The Sea Of Fog, 1818
Posted: June 4, 2012 Filed under: adventures, art, mountains, painting 1 Comment
Caspar David Friedrich.
By 1820, he was living as a recluse and was described by friends as the “most solitary of the solitary”. Towards the end of his life he lived in relative poverty and was increasingly dependent on the charity of friends. He became isolated and spent long periods of the day and night walking alone through woods and fields, often beginning his strolls before sunrise.
The Glorious First Of June
Posted: June 1, 2012 Filed under: adventures, history, painting, the ocean Leave a comment
The Glorious First of June (also known as the Third Battle of Ushant, and in France as the Bataille du 13 prairial an 2 or Combat de Prairial) of 1794 was the first and largest fleet action of the naval conflict between the Kingdom of Great Britain and the First French Republic during the French Revolutionary Wars. The British Channel Fleet under Admiral Lord Howe attempted to prevent the passage of a vital French grain convoy from the United States, which was protected by the French Atlantic Fleet, commanded by Vice-Admiral Louis Thomas Villaret de Joyeuse.
In the immediate aftermath both sides claimed victory and the outcome of the battle was seized upon by the press of both nations as a demonstration of the prowess and bravery of their respective navies.
Watson And The Shark (1778), John Singleton Copley
Posted: May 31, 2012 Filed under: adventures, heroes, MFA Boston, museum Leave a commentAt his death, Watson bequeathed the 1778 painting to Christ’s Hospital, with the hope that it would prove “a most usefull Lesson to Youth”.
Little did I know that the MFA version, which proved so useful to me in my own youth, was “a replica Copley made for himself.”
Not to worry, Brook Watson survived the attack depicted, and grew into this happy fellow:

Says the great Wiki article:
A verse penned by one of Watson’s political enemies poked fun at his ordeal (and perhaps at his abilities):
“
- Oh! Had the monster, who for breakfast ate
- That luckless limb, his noblest noddle met,
- The best of workmen, nor the best of wood,
- Had scarce supply’d him with a head so good.
Now, what does this have to do with the previous post? :
Three years later [Watson] was sent to supervise the expulsion of the Acadians from the Baie Verte area.
That’s in Havana harbor, btw.
Feufollet – Au Fond du Lac
Posted: May 21, 2012 Filed under: Louisiana, music, Vivien Kent, writing Leave a commentIn the Cajun people of Louisiana writers find what writers always find in the remote peoples of the world: pride of race, a healthy love of pleasure, a gift for spinning sorrow into beauty, ruddy confidence, a balance and a rhythm of life that seems enviable to the alienated wanderer. I have gone to their parishes myself on several auto trips.
In the wrong mood I find their men crude and ribald. But their women are at every age attractive. A girl of 13 or 14 from the Acadian parishes can be almost impossible to look at in her beauty and passion. Look her in the eye and it can stop you cold. You will think on her for days. Many of the older women spend the rest of their lives in the consequences of their first sexual blossoming.
Of their men I will say this: in a tight situation they are heroic. None can argue they bleed life.
But above all it is this, you can feel it in their humor, in their food, in their music, in their religion, in their stories: they don’t treat life as though it’s too damned important. Sad, beautiful, sorrowful, happy: it’s something, good and bad, take it as it comes, do your damnest.
– Vivien Kent, How To Travel (1947)
[HT our Virginia Beach office via Garden & Gun magazine. As of last reading, all the comments on this video were perfectly nice (“she was my substitute teacher in 4th grade!”)]
The former king of Lo
Posted: May 20, 2012 Filed under: adventures Leave a comment
from The Boston Globe’s Big Picture blog collection on the Nepalese region/former kingdom of Mustang.
Earl Sweatshirt
Posted: May 19, 2012 Filed under: celebrity, TV 1 Comment
Not my beat, but I just read the NY Times article about him:
In Samoa he was taking courses and speaking with therapists. He swam with whales and earned a scuba diving license, watched every episode of “The Mentalist” on DVD, put his classmates onto Lil B, began learning how to play piano. He read Manning Marable’s Malcolm X biography and Richard Fariña’s counterculture fiction.
Interesting article about fame, being a good person, mothers, etc.
Blind, 1916, Paul Strand
Posted: May 18, 2012 Filed under: Met, museum, photography, pictures Leave a comment
That one’s not on display over at the Met. Gotta find his photos of the Outer Hebrides online.
How to talk to children?
Posted: May 17, 2012 Filed under: children, Steinbeck, writing Leave a comment
At The Hairpin they have an interview with John Steinbeck’s son, re: a letter the dad sent the son that was at Letters of Note recently. Here’s an excerpt:
One of the things my father had going for himself is he talked to children like he talked to adults. Kids loved my father, because he didn’t talk down to them. They asked him a question, he gave a serious answer, he treated them as serious human beings.
My mom did the same thing, when I was young. She used to talk to me, even before I could talk, like I was an adult. I think that’s the right way to go about it.
I think so, too, especially if you expect your children to talk like adults. It’s really quite amazing what children will absorb if you give them the benefit of the doubt to understand that the intelligence is there. They may not be able to verbalize themselves completely, but comprehension is there.
Right.
And if you feel that someone is taking your question seriously, you’ll take the answer seriously, even if you don’t quite understand it all.
I’ve been really appreciating the lively conversation all 12,000-odd of you have been generating in the comments. If you know how to talk to children please discuss.
Bear in mind, though, Thom Steinbeck’s final warning:
Well what do you think it is about this letter that resonated with so many people, though? I mean, it was all across the internet, everyone was passing it along.
You can’t trust the internet for that, they’d pass along a car accident if they thought it was amusing!
(photo: “[Girl next to barn with chicken]” from the Library of Congress.)
“Cupid,” Sam Cooke, 1963
Posted: May 15, 2012 Filed under: music Leave a commentLike Sam Cooke ever needed Cupid’s help. ht SDB a long time ago.
Sitting Bull Part 2
Posted: May 11, 2012 Filed under: books, Custer, Fate, from wikipedia, history, Indians, photography, pictures, the American West, writing Leave a commentThat detail about the meadowlark is from Nathaniel Philbrick, The Last Stand: Custer, Sitting Bull and The Battle of The Little Bighorn. At best the second-best book about the Little Bighorn battle, first of course being:

but that image is amazing. Good on Philbrick.
What is amazing about “Son Of The Morning Star” is Connell doesn’t just tell the story, he follows the meandering lines that lead to it and out of it, and the people who traced them. He demonstrates that as soon as you focus on any particular incident, you can keep finding new dimensions of weirdness in it.
Take, for example, this meadowlark warning Sitting Bull. Philbrick cites that detail as coming from the recollections of One Bull, Sitting Bull’s nephew, found in box 104, folder 21 of the Walter Campbell collection. Walter Campbell was born in Severy, Kansas in 1887. He was the first Rhodes Scholar from the state of Oklahoma. He wrote under the name Stanley Vestal. Why? I don’t know. According to the University of Oklahoma, where his collection is kept, he was adopted by Sitting Bull’s family, and “was named Makes-Room or Make-Room-For-Him (Kiyukanpi) and His Name Is Everywhere (Ocastonka). Kiyukanpi was the name of Joseph White Bull’s father, and Ocastonka is a reference to the Chief’s great fame.”
Here’s a picture from the Walter Campbell collection:
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That’s Young Man Afraid Of His Horses. Here’s another:

Regrettably OU won’t let me make that any bigger. Campbell/Vestal/His-Name-Is-Everywhere died of a heart attack on Christmas Day, 1957.
There’s also a Walter CAMP who is very important in Bighorniana. Camp worked for the railroad, and so could travel all over. An unsourced detail from Indiana University’s Camp collection is that this is how he “spent his summers,” finding lost battlefields and interviewing old Indians and soldiers. Here is a picture from Camp’s collection:
As for One Bull, here he is. This is a photograph by William Cross (which I found here):

On wikipedia’s page for One Bull, however, they illustrate him with a picture of his spoon:
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This spoon is now in the Spurlock Museum, at the University of Illinois at Urbana-Champaigne, where they also have collections of Japanese wood carvings, Arctic artifacts, and Babylonian clay tablets.
Sitting Bull
Posted: May 10, 2012 Filed under: Custer, from wikipedia, history, Indians, museum, mysticism, people, photography, pictures, the American West 2 Comments
In August of 1890, Sitting Bull left his home to check on his ponies. After walking more than three miles, he climbed to the top of a hill, where he heard a voice. A meadowlark was speaking to him from a nearby knoll. “Lakotas will kill you,” the little bird said.
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