Movie Reviews: The Favourite, Mary Queen of Scots, Schindler’s List

Finding myself with an unexpectedly free afternoon, I went to see The Favourite at the Arclight,

You rarely see elderly people in central Hollywood, but they’re there at the movies at 2pm.  While we waited for the movie to start, there was an audible electrical hum.  The Arclight person introduced the film, and then one of the audience members shouted out “what’re you gonna do about the grounding hum?”

The use of the phrase “grounding hum” rather than just “that humming sound” seemed to baffle the Arclight worker.  Panicked, she said she’d look into it, and if we wanted, we could be “set up with another movie.”

After like one minute I took the option to be set up with another movie because the hum was really annoying.  Playing soon was Mary Queen of Scots.

Reminded as I thought about it of John Ford’s quote about Monument Valley.  John Ford assembles the crew and says, we’re out here to shoot the most interesting thing in the world: the human face.

Both Saoirse Ronan and Margot Robbie have incredible faces.  It’s glorious to see them.  The best parts of this movie were closeups.

Next I saw Schindler’s List.

This movie has been re-released, with an intro from Spielberg, about the dangers of racism.

This movie knocked my socks off.  I forgot, since the last time I saw it, what this movie accomplished.

When the movie first came out, the context in which people were prepared for it, discussed it, saw it, were shown it in school etc took it beyond the realm of like “a movie” and into some other world of experience and meaning.

I feel like I saw this movie for the first time on VHS tapes from the public library, although I believe we were shown the shower scene at school.

schindler

My idea in seeing it this time was to see it as a movie.

How did they make it?  How does it work?  What’s accomplished on the level of craft?  Once we’ve handled the fact that we’re seeing a representation of the Holocaust, how does this work as a movie?

It’s incredible.  The craft level accomplishment is on the absolute highest level.

 

Take away the weight with which this movie first reached us, with what it was attempting.  Just approach it as “a filmmaker made this, put this together.”

Long, enormous shots of huge numbers of people, presented in ways that feel real, alive.  Liam Neeson’s performance, his mysteries, his charisma, his ambiguity.  We don’t actually learn that much about Oscar Schindler.  So much is hidden.

Ralph Fiennes performance, the humanity, the realness he brings to someone whose crimes just overload the brain’s ability to process.

The moving parts, the train shots, the wide city shots.  Unreal accomplishment of filmmaking.

Some thoughts:

  • water, recurring as an image, theme in the movie.

 

  • there are a bunch of scenes of just factory action, people making things with tools and machines.  that was the cover.  was not the Holocaust an event of the factory age, a twisted branch of Industrial Revolution and efficiency metric spirit?

 

  • reminded that people didn’t know, when it began, “we’re in The Holocaust, this is the Holocaust.”  It built. It got worse and worse.  there were steps and stages along the way.

 

  • what happened in the the Holocaust happened in a particular time and place in history, focused in an area of central and eastern Europe that had its own, centuries long, context for what you were, who belonged where, history, which tribes go where, what race or nationality meant, how these were understood.  Göth’s speech about how the centuries of Jewish history in Kraków will become a rumor.  I felt like this movie kind of captured and helped explain some of that, without a ton of extra labor.

 

  • In a way Schindler could almost be seen as like a comic character.  He didn’t start his company to save Jews. He starts it to make money from cheap labor.  He’s a schemer who sees an opportunity.  A rascal out to make a quick buck, a con man and shady dealer who ended up in the worst crime in history, an honest crook who finds he’s in something of vastness and evil beyond his ability to even comprehend.

 

  • There is a scene in this movie that could almost be called funny, or at least comic, when Oscar Schindler (Neeson) tries to explain to Stern (Ben Kingsley) the good qualities of the concentration camp commandant Göth that nobody ever seems to mention!

 

  • Kenneally’s story of how he heard about Schindler:

  • The theme of sexuality, Goth’s sexuality, Schindler’s, what it means to love and express your nature versus trying to suppress and kill.  Spielberg is not really known for having tough explorations of sexuality in his films but I’d say he took this one pretty square on with a lot bravery?

 

  • if I had a criticism it was maybe that the text on the little intermediary passages that appear on screen a few times and explain the context felt not that clear and kind of unnecessary.

 

  • I feared this movie would have a kind of ’90s whitewash, I felt maybe takes exist, the “actually Schindler’s List is BAD” take is out there, with the idea being that Spielberg put in too much sugar with the medicine which when we talk about the Shoah, unspeakable, unaddressable, is somehow wrong, but damn.  I was glad for the sugar myself and I don’t think Spielberg looked away.  The Holocaust occurred in a human context, and human contexts, no matter how dark, always have absurdity.

 

  • the scene, for instance, were the Nazis burn in an enormous pyre the months-buried, now exhumed bodies of thousands of people executed during the liquidation of the Krakow ghetto, Spielberg took us as close to the mouth of the abyss as you’re gonna see at a regular movie theater.

What does it mean that Spielberg made a movie about the Holocaust and the two leads are both handsome Nazis?

 

*As a boy I was attracted to the history of Britain and Ireland as well as Celtic and Anglo-Saxon peoples in America.  The peoples of those islands recorded a dramatic history that I felt connected to.  They also developed a compelling tradition of telling these history stories with as much drama and excitement as possible eg. Shakespeare.

At a library book sale, I bought, for 50 cents a volume, three biographies from a numbered set from like 1920 of “notable personages,” something like that. 

These just looked like the kind of books that a cool gentleman had.  Books that indicated status and intelligence. 

One of this set that I got was Hernando Cortes.  I started that one, but even at that tender age I perceived Cortes was not someone to get behind.  The biography had a pro-Cortes slant I found distasteful. 

Another volume was about Mary Queen of Scots.

Just on her name, really, I started reading that one. 

Mary Queen of Scots’ life was a thrilling story, and this one was melodramatically told.  Affairs, murder plots, insults, rumor, execution. 

Sometime thereafter, at school, we were all assigned like a book report.  To read a biography, any biography, and write a report about it. 

Since I’d already read Mary’s biography, I picked her. 

As it happened, I overheard my dad confusedly ask my mom why, of all people on Earth, I’d chosen Mary Queen of Scots as the topic for my biography project.  My dad did not know the backstory, which my mom patiently explained. 

My dad’s reaction on hearing I’d picked Mary Queen of Scots, while not as harsh as Kevin Hart’s imagined reaction on hearing his son had a dollhouse, helps me to understand where Kevin Hart was coming from.  Confusion, for starters.  Upsetness.

At the time the guys I thought were really heroes were probably like JFK and Hemingway.  


George HW Bush

Thought of this photo today.

(what’s David Gergen doing there?  sometimes I’ve been that guy).

All posts related to any Bush.

 


Anybody remember this one?

it’s possible attempts were made to record this song onto an audio cassette.


Best Email Subject Line of the Week


The Riddle of Chaco Canyon

Sure, we’ve all heard of Chaco Canyon.  It’s one of the 23 UNESCO World Heritage sites in the USA. But I tended to lump it in with Mesa Verde and the other cliff dwellings and move on.

Then an ad in High West (“for people who care about the West”) caught my eye.  $25 for a year’s subscription to Archaeology Southwest, PLUS the Chaco archaeology report?  Yes!

Once you get going on Chaco Canyon, it’s hard to stop.

Bob Adams at Wikipedia

What was it?  Who built it?  How?  What happened?  What were they up to?  Why there?

Room 170 at source: this Gamblers House post

One of the most important conclusions that leaps out of this book is that most of the societies examined had attitudes toward nature that were fairly compatible with a responsible, sustainable relationship with the environment, but that nearly all of them ended up destroying their environment anyway, either because they lacked the scientific and technological knowledge to know how to act best or because they let their values change as they became wealthier and more powerful through exploitation of natural resources.

from this post.

Sometimes you start looking for something, more information, help, and you find exactly what you’re looking for.  You find a guide who can give you exactly the information you’re looking for, in a digestible way.

That’s what I found when I found The Gambler’s House.  A dense, rich blog about Chaco by a former Park Service seasonal guide, he / she seems to know this stuff at a deep level.  Here are two of the closest I find to autobiography.

source: Gambler’s House

The author, who signs the name Teofilio, writes with clarity, patience, intelligence, respect for the reader, restrained but confident style, and a steady, calm voice, walking us through questions, debates, and controversies within the scholarship:

So if great houses weren’t pueblos, what were they?  Here’s where contemporary archaeologists tend to break into two main camps.  One sees them as elite residences, part of some sort of hierarchical system centered on the canyon or,  alternatively, of a decentralized system of “peer-polities” with local elites who emulated the central canyon elites in the biggest great houses.  In either case, note that the great houses are still presumed to have been primarily residential.  The difference from the traditional view is quantitative, rather than qualitative.  These researchers see the lack of evidence for residential use in most rooms, but they also see that there is still some evidence for residential use, and they emphasize that and interpret the other rooms as evidence of the power and wealth of the few people who lived in these huge buildings and were able to amass large food surpluses or trade goods (or whatever).  The specific models vary, but the core thing about them is that they see the great houses as houses, not for the community as a whole (most people lived in the surrounding “small  houses” both inside and outside of the canyon) but for a lucky few.

In this camp are Steve LeksonSteve PlogJohn Kantner, probably Ruth Van Dyke (although she doesn’t talk about the specific functions of great houses much), and others.

On the other side are those who see the difference between pueblos and great houses as qualitative.  To these people, the great houses were not primarily residential in function, although they may have housed some people from time to time.  Most of these researchers see the primary function of the sites as being “ritual” in some sense, although what that means is not always clearly specified.  In many cases a focus on pilgrimage (based on questionable evidence) is posited.  This group tends to make a big deal out of the astronomical alignments and large-scale planning evident in the layouts and positions of the great houses within their communities.  They tend to see the few residents of the sites as caretakers, priests, or other individuals whose functions allowed them to reside in these buildings.  Importantly, they don’t see these sites as equivalent to other residences in any meaningful way.  They are instead public architecture, perhaps built by egalitarian communities as an act of religious devotion.  Examples of monumental architecture built by such societies are known throughout the world (Stonehenge is a famous example), and this view fits with the traditional interpretation of modern Pueblo ethnography, which sees the Pueblos as peaceful, egalitarian, communal villagers.  There is a long tradition of projecting this image back into the prehistoric past based on the obvious continuities in material culture, so while these scholars are in some ways breaking with tradition in not seeing great houses as residential, they are also staying true to tradition in other ways by interpreting them as a past manifestation of cultural tendencies still known in the descendant societies but expressed in different ways.

(from this post).

While many archaeologists have made valiant attempts to fit the rise of Chaco into models based on local and/or regional environmental conditions, they have been generally unsuccessful in finding a model that convincingly explains the astonishing florescence of the Chaco system in the eleventh and early twelfth centuries.  This has inspired some other archaeologists more recently to try a different tack involving less environmental determinism and more historical contingency.  This seems promising, but finding sufficient evidence for this sort of approach is difficult when it comes to prehistoric societies like Chaco.  The various camps of archaeologists will likely continue to argue about the nature of Chaco for a long time, I think.  Meanwhile, the mystery remains.

from the post “Plaster

I doubt this mystery will ever be totally solved.  There’s just too much information that is no longer available for various reasons.  That’s not necessarily a problem, though.  At this point the mysteries of Chaco are among its most noteworthy characteristics.  Sometimes not knowing everything, and accepting that lack of knowledge, is useful in coming to terms with something as impressive, even overwhelming, as Chaco.  One way to deal with it all is to stop trying to figure out every detail and to just observe.  The experience that results from this approach may have nothing to do with the original intent of the builders of the great houses of Chaco, but then again it may have everything to do with that intent.  There’s no way to be sure, and there likely never will be.  But that’s okay.  Sometimes mysteries are better left unsolved.

What of the Gambler legend for the origin of Chaco?  Alexandria Witze at Archaeology Conservancy tells us:

Navajo oral histories tell of a Great Gambler who had a profound effect on Chaco Canyon, the Ancestral Puebloan capital located in what is now northwestern New Mexico. His name was Nááhwiilbiihi (“winner of people”) or Noqóilpi (“he who wins men at play”), and he travelled to Chaco from the south. Once there, he began gambling with the locals, engaging in games such as dice and footraces. He always won.

Faced with such a formidable opponent, the people of Chaco lost all their possessions at first. Then they gambled their spouses and children and, finally, themselves, into his debt. With a group of slaves now available to do his bidding, the Gambler ordered them to construct a series of great houses—the monumental architecture that fills Chaco Canyon today.

when I picture The Gambler

What was up with Chaco Canyon’s roads?  They were thirty feet wide, perfectly straight, and seem to go… nowhere?

Once you’re into Chaco Canyon before you know it you’re into Hovenweep.

and where does Mesa Verde fit into this?

So what was the relationship between the two?  The short answer is that no one knows.

source: rationalobserver for wikipedia

This is a great post with a possible Chaco theory:

Briefly, what I’m proposing is that the rise of Chaco as a regional center could have been due to it being the first place in the Southwest to develop detailed, precise knowledge of the movements of heavenly bodies (especially the sun and moon), which allowed Chacoan religious leaders to develop an elaborate ceremonial calendar with rituals that proved attractive enough to other groups in the region to give the canyon immense religious prestige. This would have drawn many people from the surrounding area to Chaco, either on short-term pilgrimages or permanently, which in turn would have given Chacoan political elites (who may or may not have been the same people as the religious leaders) the economic base to project political and/or military power throughout a large area, and cultural influence even further.

The “sexiest” post title:


Vivian Maier

stole that straight from Artnet.

The tale of who owns Vivian Maier’s work is interesting.  Through some twists, John Maloof, the Chicago real estate developer (?) who found and bought most of the physical photos at a storage auction, does not at present own the copyright:

Until those heirs are determined, the Cook County Administrator will continue to serve as the supervisor of the Maier Estate.


TMI

CIC of USS Spruance, 1975. USN-1162165.

But the most intriguing chapter is Hone’s study of a critical but largely unrecognized reorganization that transformed Navy operations beginning in late 1942. The problem was that commanders of warships were being cognitively overwhelmed by all the new information thrown at them in battle. In addition to traditional sightings and signaling, they were now receiving reports by radio from aircraft and from other ships, as well as from radar readings. The Navy’s answer was to design a new Combat Information Center on each ship. Through it, all that data could be continually funneled, sifted, integrated and passed to the captain and others on the vessel who might need it, like gunners. Such an improvement may seem mere common sense, but then many great innovations do seem obvious — in retrospect. Interestingly, Adm. Chester Nimitz told skippers what to do (establish the new centers) but not how to do it. This meant that different ships devised different approaches, which provided the basis for subsequent refinements.

CIC aboard an unknown destroyer escort during WWII, found here

Really interesting paragraph from Thomas Ricks, writing about this book:

which I will read when I have time, Trent Hone sounds serious!

Late 1942: is that the point in time where the age of information overload began?  Sorting, digesting, processing the enormous amounts of information that flow our way, telling signal from noise, is that a/the prevailing cognitive problem of the post 1942 world?

Tom Ricks=boss.


Flying cars

Horst Faas, found here.

We have flying cars, they are called helicopters and they suck!

Are helicopters a net good or bad?

Surely many lives have been saved by medivacs and so on, but how much disturbance and disaster has been caused by these machines?

Have they gotten us into more trouble than they’ve gotten us out of?

 


Sunday Scrapbasket

  • Work by Ai Weiwei at Marciano Foundation:
  • down the docks, San Pedro:
  • Good illustration of Satan in the Wikipedia page for him:

from Strange Tales From A Chinese Studio (1740) by Pu Songling

  • Looking into the history of the USA and Chile, found this.

  Declassified notes Richard Helms, CIA director, took at a September 15, 1970 meeting at the White House

game plan

make the economy scream

  • This is a take I didn’t know I had until I saw it expressed:

of course.  these rascals hired her and they knew who she was.  it didn’t work for them like it did for Fox so they threw her under the bus, but they’re no more principled than she is.

  • moving books around:

 

  • happy fate to be in attendance at the longest World Series game ever played.  Beginning:

End:

 


Yes to this lifestyle

LAWN ON THE ROOF IS ONE OF SEVERAL UNUSUAL ASPECTS OF THIS EXPERIMENTAL HOUSE BUILT NEAR TAOS, NEW MEXICO, USING EMPTY STEEL BEER AND SOFT DRINK CANS

says the National Archive.

Michael Reynolds would make bricks out of cans.

“More cans dude?”

Getting the cans seems like the fun part.

Here’s a 2014 Business Insider article by Christina Sterbenz about him.


Presidential puppies

Gerald Ford’s puppies.

 

from Collection GRF-WHPO: 
White House Photographic Office Collection (Ford Administration)

in our National Archives.

 


Sun Tzu and Ovitz

From a list of cool things in Michael Ovitz memoir:

10. Sun Tzu Move II: “I’d wash my hands 30 times a day and insist that my assistants not touch my food.”

11. As a result, he never got sick, except when he took vacations.

12. Sun Tzu Move III: “When the leading figures in television entered our lobby, we kept them waiting long enough to be spotted by anyone who happened to be in the building.”

by Richard Rushfield in his newsletter The Ankler ($45 a year to subscribe, recommended if you are interested in Hollywood).

Rushfeld points out, how many agents even have a favorite philosopher?

I got down this Penguin edition.  Impressed with this John Minford translation:

How do we even translate whatever character represents “dispositions”?

Whom did Ovitz consider “the enemy”? WMA?  When Sun Tzu used the word enemy, what other meanings could that word have had, in English, I wonder?

Dr. Melfi tells Tony Soprano if he wants to become a better gang leader, he should read Sun Tzu.  How much would it help him?

Meanwhile:


Scrapbasket!

saw this while continuing in my struggle to wrap my head around the intersection of Canadian weed and the stock market.  As of this writing Nanaimo, BC based marijuana grower and extractor Tilray has a bigger market cap than Chipotle or the Kansas City Southern Railroad.

terry cantrell for wikipedia

Popbitch reporting Bill Cosby’s first meal in prison.  I mean I doubt prison food is good but in theory this sounded like a nice dinner to me. 

Cool that this photo, via the Japanese Space Agency, of the asteroid Ryugu, was taken 177 million miles from Earth.

Eve Babitz on Harrison Ford in Vanity Fair back in 2014.

What? from one of the Bloomberg newsletters.


Bannon as Bond villain

It’s not fashionable to even listen to Steve Bannon these days, and I don’t know why you’d invite him to your festival.  But when I read or listen to interviews with him, I always feel I’m gaining insight.  Much like a Bond villain, he seems to delight in revealing his plans.  Consider a moment at 17:05 above:

Third is the deconstruction of the administrative state.  It’s the reason Gorsuch and Kavanaugh are on the Supreme Court.  They’re not social – they’re not about abortion or gay marriage, these people are about the Chevron exemption, they’re about deconstructing the administrative state.

I think he means Chevron Deference, which I had to look up.  A lawyer friend defined it for me:

It emerged from a case called Chevron U.S.A Inc vs Natural Resources Defense Council:

Congress amended the Clean Air Act in 1977 to address states that had failed to attain the air quality standards established by the Environmental Protection Agency(EPA) (Defendant). “The amended Clean Air Act required these ‘non-attainment’ States to establish a permit program regulating ‘new or modified major stationary sources’ of air pollution.” During the Carter administration, the EPA defined a source as any device in a manufacturing plant that produced pollution. In 1981, after Ronald Reagan’s election, the EPA, which was headed by Anne M. Gorsuch, adopted a new definition that allowed an existing plant to get permits for new equipment that did not meet standards as long as the total emissions from the plant itself did not increase. The Natural Resources Defense Council (NRDC), an environmental protection group, challenged the EPA regulation in federal court, which ruled in the NRDC’s favor. Chevron, an affected party, appealed the lower court’s decision.

Bottom line, the Court ended up ruling the EPA could make its rules and they wouldn’t intrude too much.

But wait one second: Gorsuch?

It was this woman, mother of Supreme Court Justice Neil Gorsuch!

3-5-1981 President Reagan meeting with Anne Gorsuch EPA Administrator-Designate in oval office

How about that!

It gets a bit complicated after that and I’m afraid above my paygrade, but it seems Gorsuch The Son doesn’t care much for Chevron Deference.  His tone on the topic tends to veer towards the sarcastic:

Under Chevron the people aren’t just charged with awareness of and the duty to conform their conduct to the fairest reading of the law that a detached magistrate can muster. Instead, they are charged with an awareness of Chevron; required to guess whether the statute will be declared “ambiguous” (courts often disagree on what qualifies); and required to guess (again) whether an agency’s interpretation will be deemed “reasonable.” Who can even attempt all that, at least without an army of perfumed lawyers and lobbyists? And, of course, that’s not the end of it. Even if the people somehow manage to make it through this far unscathed, they must always remain alert to the possibility that the agency will reverse its current view 180 degrees anytime based merely on the shift of political winds and still prevail.

One can’t but wonder: does any of this have to do with his mom?

Just think it’s interesting that Bannon says they don’t give a fig about social culture war issues.  Remember that Bannon and Kellyanne Conway are more or less hired guns for the Mercer family, of Renaissance Technologies, a hedge fund.

I wonder if Brett Kavanaugh will get through, or if they’ll have to find a different person to help dismantle the administrative state.

As always we welcome your comments!

 


Inside a ZOOM

I had a Zoom recorder that appeared to be messed up beyond repair due to corroded batteries so I figured I might have a look at its innards

cool.  humans are amazing, how did we come up with this stuff?


Gods of the Modern World and the Cartoon History Of The Universe

José Clemente Orozco painted these crazy frescos at Dartmouth around 1933.  My pal Larry Gonick sends a vivid closeup:

photo: Larry Gonick

Gotta check these out.  If you haven’t read Larry Gonick’s Cartoon History Of The Universe:

Strongest recommend!  Epic achievements in bringing history to life by both artists.

 


Truth forever on the scaffold, wrong forever on the throne

The famous King moments are so burned into our collective dream history that they can lose their freshness.  .

Somewhere recently I came across a clip of the line at 0:40 above, truth forever on the scaffold, wrong forever on the throne.

A quote from

James Russell Lowell. The Present Crisis, which he wrote in 1844, when he was deep in abolitionism.

King returned to this line often.

Good reminder that truth being on the scaffold and wrong being on the throne is not a new problem.


What was up with Marshall McLuhan?

Culture Is Our Business (1970)

  • World War III is a guerrilla information war with no division between military and civilian participation. (p.66)
  • The newspaper is a corporate symbolist poem, environmental and invisible, as poem.
  • Since Sputnik there is no Nature. Nature is an item contained in a man-made environment of satellites and information.

  • The only cool PR is provided by one’s enemies. They toil incessantly and for free.

(this video is part of some kind of presentation for a class?)

Take Today : The Executive as Dropout (1972)

  • Only puny secrets need protection. Big secrets are protected by public incredulity. You can actually dissipate a situation by giving it maximal coverage. As to alarming people, that’s done by rumours, not by coverage. (p. 92)

The fact that Marshall McLuhan is perhaps best known for a brief appearance in a movie would not surprise him at all, I don’t think.  What was this guy going on about?  I’ve never read an entire one of his books, but why I wouldn’t bother to read a Marshall McLuhan book is exactly the kind of thing he was getting at.

One of the things that happens at the speed of light is that people lose their goals in life. So what takes the place of goals and objectives? Well, role-playing is coming in very fast.

  • Interview between Californian Governor Jerry Brown and Marshall McLuhan, 1977

The Gutenberg Galaxy (1962)

  • The medieval student had to be paleographer, editor, and publisher of the authors he read. (p. 109)
    • Scribal culture and Gothic architecture were both concerned with light through, not light on. (p. 120)
  • Electric technology is directly related to our central nervous systems, so it is ridiculous to talk of “what the public wants” played over its own nerves. (p. 68)

From Cliché to Archetype (1970)

  • Since Sputnik and the satellites, the planet is enclosed in a manmade environment that ends “Nature” and turns the globe into a repertory theater to be programmed. Shakespeare at the Globe mentioning “All the world’s a stage, and all the men and women merely players” (As You Like It, Act II, Scene 7) has been justified by recent events in ways that would have struck him as entirely paradoxical. The results of living inside a proscenium arch of satellites is that the young now accept the public spaces of the earth as role-playing areas. Sensing this, they adopt costumes and roles and are ready to “do their thing” everywhere.” (p.9-10)

The longest thing I’ve read of McLuhan is this interview in a 1969 Playboy magazine:

Interviewer: If personal freedom will still exist—although restricted by certain consensual taboos— in this new tribal world, what about the political system most closely associated with individual freedom: democracy? Will it, too, survive the transition to your global village?

McLuhan: No, it will not. The day of political democracy as we know it today is finished. Let me stress again that individual freedom itself will not be submerged in the new tribal society, but it will certainly assume different and more complex dimensions. The ballot box, for example, is the product of literate Western culture—a hot box in a cool world—and thus obsolescent. The tribal will is consensually expressed through the simultaneous interplay of all members of a community that is deeply interrelated and involved, and would thus consider the casting of a “private” ballot in a shrouded polling booth a ludicrous anachronism. The TV networks’ computers, by “projecting” a victor in a Presidential race while the polls are still open, have already rendered the traditional electoral process obsolescent. In our software world of instant electric communications movement, politics is shifting from the old patterns of political representation by electoral delegation to a new form of spontaneous and instantaneous communal involvement in all areas of decision making. In a tribal all-at-once culture, the idea of the “public” as a differentiated agglomerate of fragmented individuals, all dissimilar but all capable of acting in basically the same way, like interchangeable mechanical cogs in a production line, is supplanted by a mass society in which personal diversity is encouraged while at the same time everybody reacts and interacts simultaneously to every stimulus. The election as we know it today will be meaningless in such a society.

Interviewer: How will the popular will be registered in the new tribal society if elections are pass?

McLuhan: The electric media open up totally new means of registering popular opinion. The old concept of the plebiscite, for example, may take on new relevance; TV could conduct daily plebiscites by presenting facts to 200,000,000 people and providing a computerized feedback of the popular will. But voting, in the traditional sense, is through as we leave the age of political parties, political issues and political goals, and enter an age where the collective tribal image and the iconic image of the tribal chieftain is the overriding political reality. But that’s only one of countless new realities we’ll be confronted with in the tribal village. We must understand that a totally new society is coming into being, one that rejects all our old values, conditioned responses, attitudes and institutions. If you have difficulty envisioning something as trivial as the imminent end of elections, you’ll be totally unprepared to cope with the prospect of the forthcoming demise of spoken language and its replacement by a global consciousness.

More:

Interviewer: How is television reshaping our political institutions?

McLuhan: TV is revolutionizing every political system in the Western world. For one thing, it’s creating a totally new type of national leader, a man who is much more of a tribal chieftain than a politician. Castro is a good example of the new tribal chieftain who rules his country by a mass-participational TV dialog and feedback; he governs his country on camera, by giving the 11 Cuban people the experience of being directly and intimately involved in the process of collective decision making. Castro’s adroit blend of political education, propaganda and avuncular guidance is the pattern for tribal chieftains in other countries. The new political showman has to literally as well as figuratively put on his audience as he would a suit of clothes and become a corporate tribal image—like Mussolini, Hitler and F.D.R. in the days of radio, and Jack Kennedy in the television era. All these men were tribal emperors on a scale theretofore unknown in the world, because they all mastered their media. . . . The overhauling of our traditional political system is only one manifestation of the retribalizing process wrought by the electric media, which is turning the planet into a global village.

found that here, at a UC Davis class website.

McLuhan was so good at taxonomies — consider what Tom Wolfe recounts him telling IBM, at 47:00-48:00 below:

 

This is the coolest McLuhan quote, in my opinion:

I’ve always been careful never to predict anything that had not already happened.

  • Interview: Tom Wolfe, TVOntario, August 1970

Case Study in Business Journalism

As part of my Year of Business I’ve been reading some business articles.  Often I find that the headlines are incredibly misleading, often close to opposite of accurate.  Take this example:

Read the article, and the source is a Vanguard study which you can read here.  Here’s page one with an abstract:

A more accurate headline would be “A Small Minority of Millennials Are Sitting Out The Bull Market, While Most Of Them Are Doing Exactly What Everybody Else Does” which is kind of interesting.  The truth is well put in a footnote to the article:

Wouldn’t another, perhaps more accurate headline be: “Despite Lessons Of Their Youth, Millennials Follow Traditional Investing Path”?

But consider: we’re only talking about a sample of 4 million Vanguard investors.  So: a self-selected sample of people with 1) money to invest and 2) choosing a conservative investment company!  I would guess the “typical millennial household” has no equity at all?

Buried in the Vanguard study is a story that’s almost more interesting, namely that older generations are taking more investment risk than most advisors would think is wise:

Why this greater-than-expected taste for equity market risk among older investors? It’s worth noting that many current retirees hold traditional pensions, allowing, all other things equal, for more equity risk-taking. Other possible drivers of risk appetite among older investors include concerns over health care costs, low bond yields, and a desire to fund bequests for heirs. And beyond these financial factors are the shared generational experience of investing—both cohorts enjoyed the positive results of the great equity bull market from 1982–2000.

Even the Vanguard study itself contains strange, generational based assumptions:

Who is wiser, the 1/5 of millennials who witnessed 2008 and make the choice to have a “conservative” investment strategy relative to conventional wisdom, or the Baby Boomers who are still operating on 1980s assumptions?

My point here is not to criticize, it’s just to note ongoing observations:

  • headlines can be very misleading
  • when you go to the source of a story, it always gets deeper and more interesting
  • small inaccuracies of language, shorthands, and misleads can compound until we have a distorted picture of reality.  Was this not itself one of the causes of 2008 crisis?

The end of “The End of History” by Francis Fukuyama

The end of history will be a very sad time. The struggle for recognition, the willingness to risk one’s life for a purely abstract goal, the worldwide ideological struggle that called forth daring, courage, imagination, and idealism, will be replaced by economic calculation, the endless solving of technical problems, environmental concerns, and the satisfaction of sophisticated consumer demands. In the post-historical period there will be neither art nor philosophy, just the perpetual caretaking of the museum of human history. I can feel in myself, and see in others around me, a powerful nostalgia for the time when history existed. Such nostalgia, in fact, will continue to fuel competition and conflict even in the post-historical world for some time to come. Even though I recognize its inevitability, I have the most ambivalent feelings for the civilization that has been created in Europe since 1945, with its north Atlantic and Asian offshoots. Perhaps this very prospect of centuries of boredom at the end of history will serve to get history started once again.

That’s the last paragraph of the famous essay from 1989, which I found here.  (I haven’t read the book, I’m busy!)